Débora Veneziani

Karin, Magali and Luna are three call girls, who decide to apply some marketing knowledge on the world's oldest profession.

Two brothers develop great musical talent as children, using this craft to support their family. The release of their first hit takes them beyond the limits of Brazilian country music, and into the biggest concert venues in São Paulo.

Raul Seixas abandoned his career as a music producer to become a singer, mixing rock with baião. He adopted a radical style and fell into addiction, but became a Brazilian rock icon.

As São Paulo erupts in an unprecedented wave of violence, a lawyer with underworld ties must strike a deal with the police to rescue her kidnapped niece.

Following the sudden suicide of Renan, the eldest son, we witness the devastating and immediate impact this tragedy has on the family members left behind. Unable to grasp the reasons that drove him to this point, each person processes their grief in a unique way: his mother, Eloísa—a teacher—isolates herself, feeling she failed to look after her own son, while his 15-year-old younger brother, Tomás, grapples with a mix of resentment and intense pressure. This short film was developed as a manifesto to raise awareness and support the "Yellow September" (Setembro Amarelo) suicide prevention campaign.

Karin, Magali and Luna are three call girls, who decide to apply some marketing knowledge on the world's oldest profession.

Two brothers develop great musical talent as children, using this craft to support their family. The release of their first hit takes them beyond the limits of Brazilian country music, and into the biggest concert venues in São Paulo.

Raul Seixas abandoned his career as a music producer to become a singer, mixing rock with baião. He adopted a radical style and fell into addiction, but became a Brazilian rock icon.