Walter Berry

A dream-inspired stream-of-consciousness download charting the trace infection lines Trump’s presence provokes in the minds of many.

Symphonien Nos. 1 - 9 Gundula Janowitz · Christa Ludwig · Jess Thomas · Walter Berry Chor der Deutschen Oper Berlin Berliner Philharmoniker Herbert von Karajan Directed by: Arne Arnbom, Herbert von Karajan Hugo Niebeling, Hans Joachim Scholz

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Requiem in D minor, K 626 by Mozart, Wolfgang Amadeus Performer: Walter Berry Gundula Janowitz Christa Ludwig Peter Schreier Orchestra/Ensemble: Wienere Symphoniker Orchestra Conductor: Bohm Karl Chor der Wiener Staatsoper Period: Classical Written: 1971 ; UNITEL

Mozart’s “The Magic Flute”

Gioacchino Rossini's sparkling version of the Cinderella story comes live from the Salzburg Festival with Ann Murray and Francisco Araiza as Cinderella and the Prince. Director Michael Hampe envisions La Cenerentola less as a fairy tale and more as a gently satirical comment on the nature of society and the relationship between people. Conductor Riccardo Chailly's masterly display of the Rossini style is visually matched by the opulent and elegant set designs by Mauro Pagano. 162 minutes.

Wiener Philharmoniker and Wiener Philharmonia Chor Conducted by Karl Böhm Directed by Vaclav Kaslik

Birgit Nilsson and Jon Vickers star in this filmed record of the Theatre Antique d'Orange's acclaimed 1973 production of Wagner's epic tale of doomed love in the Middle Ages. Tristan und Isolde also features the Orchestre National de R.T.F., under the direction of Karl Bohm.

Karl Richter conducts Peter Schreier, Ernst Gerold Schramm, Siegmund Nimsgern, Helen Donath, Julia Hamari, Horst R. Laubenthal, Walter Berry, and Muenchner Bach Chor & Orchestra in 1971.

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Of the five premieres produced during a four-month period, Mozart's "Don Giovanni" on the first night attracted an illustrious audience. In addition to the President of the Federal Republic of Germany and a selection of diplomats and politicians, high-ranking guests included theatrical directors from West Germany and other Western European countries, composers, conductors, actors, writers, painters and sculptors, not to mention rectors and lecturers from Berlin's universities and the world's leading music critics. [...] The success was commensurate with the significance of the occasion. All involved in the performance received countless ovations in front of the magnificent yellow curtain. The new building - and the new stage with its state-of-the-art technology - had shown itself to be more than capable of handling Mozart's most demanding work.

On stage, Christa Ludwig's Leonore puts all others in the shade. In this role, she achieves something rare: a perfect unity of stage character and singer. Her male disguise is believable; this Fidelio is a slender, lanky young man with whom it is easy to imagine the silly Marzelline falling in love.

DON GIOVANNI, a young, arrogant, sexually promiscuous nobleman, abuses and outrages everyone else in the cast, until he encounters something he cannot kill, beat up, dodge, or outwit. This legendary production starring Cesare Siepi in the title role with Wilhelm Furtwängler conducting was filmed in Salzburg’s open-air Felsenreitschule theatre during the 1954 Salzburg Festival. Although the production is clearly dated, it remains a must-see for lovers of the opera, both as a historical document of a vintage, all-star production and simply as an excellent way to experience Mozart’s masterpiece.