Eri Yu

The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a "permanent" relationship, what do they choose to do?

When his mother's untimely death quickly follows his father's, a doctor begins to believe a killer may be targeting him and his amnesiac wife.

Tatsuhito, a cop, pursues Chinese warlord Wang through the underworld of Shinjuku and over to Taiwan.

This is a biographical film about the late Yoko Araki, who was the wife of Japan's leading photographer, Nobuyoshi Araki.

This film, directed by Banmei Takahashi, is an adaptation of the novel of the same name by Atsushi Mizoguchi. It depicts the love-hate relationship between an older brother who tries to live an honest life and a younger brother who tries to return to the world of crime. Shigetoku, the younger brother who made a name for himself in the yakuza group "Toryu-kai" alongside his older brother Atsuhiko, is arrested after a conflict with a rival organization. Eight years later, Shigetoku returns to Atsuhiko, who has gone straight, but Shigetoku shows resentment towards Atsuhiko's lifestyle.

The slow collapse of the relationship between an out-of-work actor and his girlfriend.

Director Tatsumi Kumashiro died during filming and film was edited from unmatched footage and incomplete scenes by Shishi Productions which decided not to release film theatrically and it went direct to video by Beam Entertainment.

A savage look at food and sex, helms this black comedy about Japan's sizable and often beleaguered Korean-Japanese community. Motomi Hayashi (Eri Yu), a producer who is thoroughly dedicated to her career, returns to her abode to discover that her porn star sister (Ichio Matsuda) is going to make a film about her family's first reunion in 20 years. Motomi is less than thrilled with the prospect, seeing as all is not well at the Hayashi household. Motomi's father recently got canned from his longtime job at a Pachinko parlor, while her mother secretly plans to mortgage the house to finance her affair with a younger lover. Motomi grows more uneasy when she learns that the porn director in charge of the undertaking is known for mixing fact with fantasy.

Four short films produced without a director