Patrizia De Clara

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.

Story of an ambitious young doctor through unethical means intend to make a quick career. Now is primary in a luxury clinic where administers the sick with the same cynicism of his young years.

A collection of dark-humoured vignettes, including tales of a cardinal with a liberal congregation, a motorist and a hitchhiker, mentally challenged tramps, parents contemplating their daughter's participation in a pornographic film, and a conniving husband.

Comedy about the flawed Italian healthcare system of the time and a doctor's expeirence with it.

A strange love story between a devoted young nun and a young Marxist determined to help run the hospital wards where the nun is the head nurse.

Duke Philippe marries Cristina, the daughter of a fisherman. But his brothers, seeing that they would be cut from the family inheritance set to go to Cristina, decide to get rid of her by imprisoning her in a tower and making the duke believe she died.

A bankrupt Italian count commit suicide and one of his creditors takes over his family villa but he allows the widow, the mother, and the three adult sisters to stay on. The creditor is a wealthy businessman, but also basically an uncouth peasant (who fancies himself an opera singer). Still, the dimwitted, sex-crazed sisters try to seduce both him and his shy, virginal son who accompanies him.

Multiple stories intersect in this satirical look at misogyny, male promiscuity and oppressive behaviour: a wealthy man discovers his wife suffers from kleptomania and decides to help her indulge her vice; a retired circus performer returns to knife-throwing with his once-lovely assistant, even though his vision has deteriorated; and a lecherous college professor attempts to sleep with his attractive female students.

A fig tree growing in the estates of Baron Anteo Pellacani has been worshipped since the Middle Ages, after a Saint was supposedly martyred there. The Baron, who was crippled in a fig tree-related accident and has since become a raging atheist, vows to tear it down—until he mistakes a beautiful prostitute momentarily lying on the tree for the Saint herself, falling in love with her. Her pimp, his relatives and the clergy try to take advantage of his newfound faith.

The study of semantics has convinced Amedio that things only have relative validity, and that everything is changeable. So it seems, because while on an Italian holiday with his family, he conceives the idea that his aging wife should assume the role of his mother, and his daughter, who has an infant son, should assume the role of his wife and lover. His real mother, an elderly invalid, dies just as this conceit begins to take form, and, inexplicably, the women placidly go along with this odd notion for a time, but eventually return to their former roles.

Wolfgang Cazotte, a famous, refined and charming court painter of the early 19th century, plans to seduce Ehrengard, an attractive and proud virgin, without touching her, just by instilling in her a throbbing passion. At one point, though, the painter's artifice seems to start turning its back on him.