Aubrey de Grey

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The onset of the 21st Century will be an era in which the very nature of what it means to be human will be both enriched and challenged as our species breaks the shackles of its genetic legacy and achieves inconceivable heights of intelligence, material progress, and longevity. While the social and philosophical ramifications of these changes will be profound, and the threats they pose considerable, celebrated futurist Ray Kurzweil presents a view of the coming age that is both a dramatic culmination of centuries of technological ingenuity and a genuinely inspiring vision of our ultimate destiny.

TROM (The Reality of Me) is an unique free online documentary, since no one has thought of such a documentary from our knowledge. We want to show, as well as we can, the whole picture, an insight into our world, a perspective from which you must extract meanings in order to understand, and curiosity to progress, because there is a lot of such information we call “scientific”. Moreover, we present alternative and existing solutions to radically improve every one's life. If you've never questioned your lifestyle and are well adjusted to our current society, you will, more than likely, get a shock, but if you watch the whole documentary you'll understand why. All chapters and sub-chapters are connected and in order to understand you have to watch the whole documentary, in order.

Within the coming decades we will be able to create AIs with greater than human intelligence, bio-engineer our species and re-design matter through nanotechnology. How will these technologies change what it means to be human? Director Doug Wolens speaks with leading futurists, computer scientists, artificial intelligence experts, and philosophers who turn over the question like a Rubik’s Cube. Ultimately, if we become more machine-like, and machines more like us, will we sacrifice our humanity to gain something greater? Or will we engineer our own demise? THE SINGULARITY is a comprehensive and insightful documentary film that examines technology’s accelerating rate, and deftly addresses the resulting moral questions.

With research that spans the work of philosophers Gilles Deleuze and Martin Heidegger to modern mythologies in which time reversal plays a crucial role — such as failed time machines, speed of light travel, and occult practices involving speech — Stracke combines science and philosophy in an attempt to defy death through cinema and the notion of time reversal.

Director Mark Wexler embarks on a worldwide trek to investigate just what it means to grow old and what it could mean to really live forever. But whose advice should he take? Does 94-year-old exercise guru Jack LaLanne have all the answers, or does Buster, a 101-year-old chain-smoking, beer-drinking marathoner? What about futurist Ray Kurzweil, a laughter yoga expert, or an elder porn star? Wexler explores the viewpoints of delightfully unusual characters alongside those of health, fitness and life-extension experts in this engaging new documentary, which challenges our notions of youth and aging with comic poignancy. Begun as a study in life-extension, How To Live Forever evolves into a thought-provoking examination of what truly gives life meaning.

Two eccentric scientists struggle to create eternal youth in a world they call “blind to the tragedy of old age.” As they battle their own aging and suffer the losses of loved ones, their scientific journeys ultimately become personal.

Life Extended continues Bigert & Bergström’s exploration of the human endeavor to control life and death. In the film, we meet the gerontologist who believes we will be immortal within a near future, the architects who constructs spaces to slow down the aging process, the monk who runs for 1,000 days in order to strengthen his spirit for its immortal journey, the street kids who lives in the moment, and many more. “Today aging is subject to control,” as one biochemist puts it. And the speed with which this biotechnological development is moving indicates that coming generations will live very long lives. Opposing the static image of the stairway of life, the film is constructed as a relay race where people move towards the viewer. Initiated as a work of art, the film envisions a contemporary memento mori for death itself, when death has become nothing but a memory.