Saïda Jawad

Diagnosed «crap with girls» by his friends, Anis’ love life has barely a pulse. Three years after the loss of Isma, his best friend and mentor, Anis takes his courage in both hands and decides finally to get out and meet people again. And the person he meets is Madeleine. Thinking she’s way out of his league, Anis gets tangled in a web of silly lies trying to impress her. But something huge is about to start. An unexpected thing. A thing called love.

It is the story of two people who meet and in a single word, a sentence, or a glance change the course of their lives, as well as the lives of those around them.

Alexis Pasquier, a young French teacher, begins his first day of classes at the Nancy prison. There he meets Léa, a young woman with whom he falls madly in love. Two worlds open up to him: true love and the prison environment. He will never be the same anymore.

Faiza is everything you would expect from a Maghrebi mother living in the city: hardworking, devoted to her children, whom she is raising alone, attentive and helpful. But in the family's modest apartment, Faiza Alaoui has a "room of her own" where she works on another part of herself, one that is not afraid of transgression and reconnects with her youthful ambitions...

A look at French president Nicolas Sarkozy's rise to power.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The story of Ali Baba, who takes on forty thieves to save the Caliph of Baghdad and prevent a war between the Orient and the Occident.

Paris 1577 - King Henri III gives famous couturier Pic Saint Loup a crucial diplomatic mission. He must go to Spain to make a magnificent gown for the wedding of the King's nephew to the daughter of a Spanish noble. The trouble is that the real creative brains behind Saint Loup's outfit is his Moorish assistant, while his perfumer is a Marano Jew and his hairdresser is out, loud and very proud. And Catholic Spain, in the grip of the Inquisition, is no place for Arabs, Jews and homosexuals (Saint Loup is anything but heterosexual). To make matters worse, his secretary is an undercover Protestant plotting revenge for the St. Bartholomew's Day massacre and the father of the bride turns out to be the Chief Inquisitor of Cordoba.

Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.

Dimitri joins La Maison, a place where people are welcomed for whom medicine can not do anything anymore. There he meets Suzanne, a volunteer who is dedicated to supporting people at the end of their lives.

When the hard-working bread-winner Katja and Hendrik the intellectual meet Saida, an illegal immigrant from Algeria, and accept to organize a "passport marriage" between her and Hendrik, they are caught up in a chain of events and feelings over which they have no control.

Charlotte is satisfied. She is in the process of experiencing a promotion in the company where she works as a senior executive. Everything would be fine if Charlotte didn't have a sister, a mother of three who left without leaving an address a few years ago. Since then, it is Yvonne, the mother of the two young women, who took care of raising Pierre, Louise and Antoine. However, one fine day, Antoine's father appears...

Laurence Renoux, chef du service des maladies tropicales et infectieuses dans un hôpital parisien, est inquiète. Depuis quelques jours, elle est confrontée à une épidémie de source inconnue dont les symptômes s'apparentent à une méningite fulgurante, et qu'elle ne parvient pas à endiguer.

17, rue Bleue is an autobiographical drama about an Algerian immigrant's self-destruction in Paris. In it, director Chad Chenouga recounts how his mother, Adda, came to France as an illegal alien, hoping to escape the haunting secrets of her native land, and seeking a new life of wealth. When Adda falls in love with her employer, a wealthy Parisian named Merlin, she believes her fortune is within reach. But troubles begin when Merlin suddenly dies, leaving behind no clear will. Adda, believing in the Algerian superstition that a beauty mark on her son's hand signifies great wealth to come, throws herself into a losing court battle to win Merlin's estate. As legal defeats mount up, Adda turns to drugs, driving away friends and family members, until she's left with only her son, Chad. When he turns 16, his mother dies from her many years of drug abuse.

During a cruise, two women marked by life become friends.