Vladimir Kott

Dmitriy is a popular actor, a star of action films. The public loves him for his image of a macho with an impenetrable face. One day, Dmitriy receives an offer from a stern but very rich businessman from Siberia, Sergey, to star in a crime drama about the 90s in the lead role of a cold-blooded killer. Sergey offers Dmitriy's agent a fee 10 times higher than usual. They agree. During the filming, Dmitriy is accidentally wounded by a shot. After a simple operation, he is ready to return to the frame, but faces an unexpected side effect: now he constantly smiles, and any emotions are expressed with laughter. Dmitriy has no chance to stop filming and "upset" Sergey, who clearly knows firsthand what he is making a movie about.

In kindergarten, a child is selected for the role of a gray mouse for a matinee. The parents of some of the children participating in the casting are directly related to art. Dad, a film director, dad, a theater director and mom, a singer, begin to prepare their children for the final viewing. Everyone has their own method of rehearsals and their own life, not devoid of problems and contradictions. A recently divorced filmmaker cannot start a new relationship with a prop girl he likes. The theater director is going through a creative crisis and is constantly striving to get home to his beloved wife and children. The self-obsessed singer is raising her daughter alone. They don't even suspect that a simple song about a gray mouse will help solve some of these problems.

Director Mitya escapes from the set of the next television series. In this he is helped by the ghost of Marcello Mastroianni. The decision to escape launches a chain of events with the participation of Mitya's family and friends, which can only be unraveled by the answer to the question of what kind of director he wants to be: great, talented, or just normal.

In present day Moscow three childhood friends in their forties - former school band players - live their everyday lives of a police officer, a taxi driver and a surgeon. They have lost track of each other. Three stories of betrayal, love and ageing are told in parallel. In fact, unknown to our heroes, their paths cross and their lives become connected. But they are not aware of it even when they reunite for a breaking performance at their graduation anniversary.

Maya goes to a meeting with ex-boyfriend Zemo, who took her rightful time. She needs to say goodbye to this guy, because she has a new relationship. The meeting takes place in the park. In parallel, Maya writes her new love, which is already impatient to Maya belonged only to him. Maya, like a real woman, has to make a difficult choice between Summer and Winter. She's just in love Spring.

Dmitriy is a popular actor, a star of action films. The public loves him for his image of a macho with an impenetrable face. One day, Dmitriy receives an offer from a stern but very rich businessman from Siberia, Sergey, to star in a crime drama about the 90s in the lead role of a cold-blooded killer. Sergey offers Dmitriy's agent a fee 10 times higher than usual. They agree. During the filming, Dmitriy is accidentally wounded by a shot. After a simple operation, he is ready to return to the frame, but faces an unexpected side effect: now he constantly smiles, and any emotions are expressed with laughter. Dmitriy has no chance to stop filming and "upset" Sergey, who clearly knows firsthand what he is making a movie about.

The drama based on hidden implicit faith in miracle unfolds between the members of the family with an unhappy love story of a desolate teenage girl who tries to withstand this family madness after their devotee grandmother came to their flat from upcountry.

At the center of the story are five completely different men who meet in the waiting room of a maternity hospital on one of the most important days of their lives. While their wives are giving birth, future fathers have time to argue, quarrel, share personal fears and create their own “Fathers’ Club.”

Valera, a flawless driver with 30 years behind the wheel, loses his job just as his dog Lincoln needs an expensive lifesaving surgery. Desperate for income, he’s approached by a sleek, AI-powered self-driving taxi. To avoid spooking passengers, the car asks Valera to pretend to be its driver and help it achieve a top user rating — in exchange for all the earnings from their rides. For Valera, it’s his dog’s only chance; for the taxi, it’s a fight for its own survival.

Aspiring model Alena dreams of conquering Moscow. Once at a party, she meets Yegor, who offers to fly on his plane to Nice. However, instead of a premium resort, they fly to Yakutsk. Egor does not remember the details of yesterday evening, but he remembers that he has an important meeting in Yakutsk. He promises Alena to send her home tomorrow, but for now he will show her the beauties of nature on the banks of the Lena, which you will not see in Nice. They go on a boat to wild places, where Egor jumps from a cliff into the water. And it doesn't float. Alena is left alone in the middle of a river in the Yakut taiga.

Aspiring model Alena dreams of conquering Moscow. Once at a party, she meets Yegor, who offers to fly on his plane to Nice. However, instead of a premium resort, they fly to Yakutsk. Egor does not remember the details of yesterday evening, but he remembers that he has an important meeting in Yakutsk. He promises Alena to send her home tomorrow, but for now he will show her the beauties of nature on the banks of the Lena, which you will not see in Nice. They go on a boat to wild places, where Egor jumps from a cliff into the water. And it doesn't float. Alena is left alone in the middle of a river in the Yakut taiga.

Seven directors develop their own scripts and come to Estonia to make their films with local cast and crew. Libertade is a feature length film project, comprising of seven short films directed by renowned film-makers from Georgia, Russia, Switzerland, Estonia and France. They all take their unique look into questions about our roots and identity, our choices and our search for freedom and its consequences. —Katerina Monastyrskaya

Director Mitya escapes from the set of the next television series. In this he is helped by the ghost of Marcello Mastroianni. The decision to escape launches a chain of events with the participation of Mitya's family and friends, which can only be unraveled by the answer to the question of what kind of director he wants to be: great, talented, or just normal.

Director Mitya escapes from the set of the next television series. In this he is helped by the ghost of Marcello Mastroianni. The decision to escape launches a chain of events with the participation of Mitya's family and friends, which can only be unraveled by the answer to the question of what kind of director he wants to be: great, talented, or just normal.

Director Mitya escapes from the set of the next television series. In this he is helped by the ghost of Marcello Mastroianni. The decision to escape launches a chain of events with the participation of Mitya's family and friends, which can only be unraveled by the answer to the question of what kind of director he wants to be: great, talented, or just normal.

Since the morning, the entire population of the planet has been concerned about one news: a red comet is approaching the Earth. A year ago, scientists only assumed this collision, a month ago they tried to establish the exact date - and finally, it was just announced by all communication sources: the end cannot be avoided. Moreover, it will happen tomorrow. There is one day left until... People of different classes, nationalities and faiths in different parts of a large country - each in their own way - are trying to spend this last day of their lives.

A half-empty village far from the regional center has been inhabited by characters from Ostrovsky's "Snegurochka," only adjusted to our times. Bobyl and Bobylikha are stationmasters, Berendey is no longer a tsar but a watchman, Lel is a trendy DJ returning from Moscow for the holidays, and his classmate Mizgir is a successful businessman from the regional center. Only Snegurochka seems the same as before. Incapable of emotion, she is doomed to make those around her fall in love with her.

A half-empty village far from the regional center has been inhabited by characters from Ostrovsky's "Snegurochka," only adjusted to our times. Bobyl and Bobylikha are stationmasters, Berendey is no longer a tsar but a watchman, Lel is a trendy DJ returning from Moscow for the holidays, and his classmate Mizgir is a successful businessman from the regional center. Only Snegurochka seems the same as before. Incapable of emotion, she is doomed to make those around her fall in love with her.

A film about the journey of an old door in a new city.

A film about the journey of an old door in a new city.

The second part of a comedy about a blogger who has to hide within the walls of a monastery from punishment on charges of insulting the feelings of believers.

The second part of a comedy about a blogger who has to hide within the walls of a monastery from punishment on charges of insulting the feelings of believers.

The trucker Fyodor Mukhin is an inveterate bachelor. Women love him, and he does not even remember everyone with whom fate brought him together. He also does not remember the teacher Masha from a small Ural town, from whom one day he receives a telegram asking him to come urgently. Something makes Fedor respond.

The trucker Fyodor Mukhin is an inveterate bachelor. Women love him, and he does not even remember everyone with whom fate brought him together. He also does not remember the teacher Masha from a small Ural town, from whom one day he receives a telegram asking him to come urgently. Something makes Fedor respond.

Government official Victor Letayev oversees road construction in the Perm region. He is a cynical kind, accustomed to always getting things done, and getting them done his way. He loves his job, he is good at it, and he has zero interest in anything else. His motto is, “I used to chop firewood for a living. Everyone needs firewood; you can’t heat a home with art or culture.” Victor’s attitude changes when art and culture become areas of priority for his region’s development. Now, in order to keep his job, Victor has to study Perm region’s cultural heritage. Hoping to make things easier for himself, he takes lessons from art historian Marina. Will she succeed in imposing cultural awareness on a pragmatic government functionary?

Elena Mihailovna, having worked all her life in the only school of a provincial town, lives modestly in retirement. Unexpectedly she learns of a fatal diagnosis, which can at any moment end her life. Instead of an unbearable anticipation, she resolutely begins the preparation for her own death, in order to simplify the procedure for her son. She has not seen her only son for over five years because he worrks in the capital. Oleg is constantly busy, and he does not have time for his lonely mother. At the same time with all the new problems, the heroine receives as a gift a huge carp, which changes her life.

The action of the famous play about the inhabitants of the flophouse has been transferred to our days. The heroes live in a landfill, look for something to sell in the mountains of garbage, steal and drink. One day, Luka appears at the dump, who tries to comfort these people who have sunk to the bottom of their lives.

The action of the famous play about the inhabitants of the flophouse has been transferred to our days. The heroes live in a landfill, look for something to sell in the mountains of garbage, steal and drink. One day, Luka appears at the dump, who tries to comfort these people who have sunk to the bottom of their lives.

The film almanac, consisting of four short works, tells about children's destinies in the hands of adults.