Takuji Suzuki

Masaya is a university student, but he attends a school that's not his ideal school. His days are generally gloomy. One day, he receives a letter from serial killer Haimura. He was convicted for nine murders and received the death penalty. Back when Haimura was committing his murders, he ran a bakery store. At that time, Masaya was a middle-school student and a customer at his bakery store. According to the letter, Haimura confesses to having committed eight murders, but he insists that he did not commit the last murder. Masaya begins to investigate the last murder case involving Haimura.

The story of a would-be actor, his larger-than-life classmate and their friends. Unfolding their past and present, Sasaki in My Mind looks head-on at adolescent sparkle and the pathos of bygone days.

No synopsis available yet.

Nozomi moved to Tokyo at age 25, hoping to become a writer. However, she was not successful. Then, an 18-year-old Nozomi confronted her: "Did you really try? Did you do what you said you would and make it big in Tokyo?" Confronting her younger self made Nozomi realize that she had avoided confronting many things in her life thus far.

Shiroko suddenly returns to her hometown of Nagashima in Kagoshima Prefecture. She was supposed to make her debut in a film set in this town, but the production had fallen through. Moving in with Yukino, who still lives with her parents, Shiroko declares that she’s going to make a movie again. This sparks a series of small incidents…

Aya adapts Hyakken Uchida’s eponymous short story in which characters wonder whether they are alive or dead, as the reality of their existence is swept from under their feet.

Joe works as a professional stand-in, posing as friends and family for clients. An occurrence at a funeral gig blurs the line between Joe's work and personal life.

Utsumi and Seto's daily routine is to spend their afterschool hours just jabbering with one another along a riverbed. Getting excited over trivial word play, agonizing over the content of an email to be sent to a girl, and, at times, talking about a serious problem, the two endlessly engage in meaningless idle talk as if it were meaningful.

In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.

Shuji is an uncompromising young filmmaker at odds with Japanese society. One day he learns that his loan shark brother, who had helped to finance his films, has been executed by his own yakuza gang for failing to repay his debts.

Akemi is unable to get over the death of his girlfriend, but a book leads to his encounter with Akane, a woman with a wonderful smile. He gradually falls for Akane, who soothes him with her positive outlook and cheerful disposition, but Akane has a boyfriend who has a limited amount of time left to live.

An ordinary man plays matchmaker to his friend only to realize the girl being pursued is being stalked.

In a small rural town, a brother and sister goes missing and there's also a serial killer case involving woman as the victims. Mayu Misono (Aya Omasa) is a sophomore high school student in the town. She is called "Ma-chang". When Mayu Misono was young, she was also kidnapped and locked up. Since that time she has been traumatized and has become indifferent to everything around her. One day, in front Mayu's mansion, her childhood friend Mii-kun (Shota Sometani), who was kidnapped with Mayu, suddenly appears. Ma-chang hugs Mii-kun. Up until now, she has waited for Mii-kun. Mayu has lived in the mansion alone, until a week ago, when she kidnapped two elementary school aged kids and has kept them locked in her mansion. To hide Mayu's crime, the four of them will live together in the mansion. The truth of what happened 10 years ago becomes slowly revealed. The reason Mi-kun tries to protect Mayu, even puts his life at risk, all connects to an unexpected real criminal.

This three-part omnibus spins tales about love featuring surreal characters like ghosts and eccentrics.

The fifth work of the "Kita-Shirakawa school movie" in which a student of Kyoto University of Art and Design, a professional film staff, and a cast team up to make a film. With a certain big disaster, people are struggling for love while holding their own circumstances, and as a result, they ask what it is to "live correctly" even in a vague and uneasy era. Ittoku Kishibe played Yanagida, the protagonist of the protagonist who created and exhibited objects that incorporate radioactive materials to create and display indiscriminate terrorism.

In a small town with a big red bridge, a run-down apartment, which everyone calls a haunted house, stands still. A few days before the summer break begins, two high school girls, Kaede and Azusa, find a boy living in the abandoned place by himself. Naming him "Mon", they take care of him without being noticed by anyone.

Memories can be blocked, but they can also be invented. Psychology professor Eiko works with people who were traumatized by the 2011 earthquake and tsunami disaster. But the topic affects her more personally than she wants to admit. Narrative structures begin to intertwine, reality becomes ambiguous. Like a surgeon, SHINOZAKI dissects the human mind in this complex yet moving film.

Left alone by his music group, Nakanishi lands in a peaceful but strange village. He laughs and drinks with it's residents until the alcohol seems to have a supernatural effect on him ...

Omnibus by three young directors in the spotlight of Japan’s independent film industry, dealing with the theme of “lost virginity.” Yoshida Koki, whose film {Household X} was an official selection for the Berlin International Film Festival’s Forum, depicts a woman in her thirties losing her virginity. Kazuyo (Masaki Sawa) is a 35-year-old pharmacist living quietly on her own. One day, her interest is piqued by the pseudo-sexual harassment approach of Ryo (Yanagi Shuntaro), a high school youth, and her body gets a taste of sexual desire.

A film by Tomonari Kamobayashi

A woman is waiting for a man. She deceives the man with her long hair hidden in a wig and jokes that she would go to Hiroshima.

A middle-aged man with a half-year to live unexpectedly starts to live with a group of young rock band members. The unlikely mixture inspires each other's lives.

Ikumi Sakurai is a first year high school student who begins to investigate her dead mothers past.

Rinko, a woman in a sexless marriage, is blackmailed by a stalker with intimate photos, forcing her into a series of erotic acts that disrupt her mundane life.

A male corpse is discovered with a smashed face and burned hands. Strangely, the cause of death is determined to be strangulation. When Detective Kaoru Utsumi attempts to corroborate the victim’s ex-wife’s alibi she discovers the mysterious neighbor and only a few small clues to help her disprove a seemingly "airtight" alibi...

An apparitions of a young schoolgirl in a yellow rain hat, a family massacre, and a law student's suicide after he fails his bar exam are linked by the ominous recordings discovered on an audio cassette.

Ryo Narushima is a student who has served prison time for killing his parents. Once he is released, he trains to become a professional kick-boxer.

After discovering a hole in their crowded cell, nine prisoners escape their confinement to track down the key of the universe, which a fellow prisoner known as the Counterfeit King said he had hidden.

Director Jun Ichikawa spins this affectionate portrait of the people who populate Shimokitazawa, a bohemian corner of Tokyo filled with small theater companies and smoky coffeehouses.

This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 novel by Osamu Dazai, the story centers less on the womanizing, heavy-drinking, suicidal hero than on the wife who loves him. Written by Palm Springs International Film Festival

Koji Shiraishi interviews the survivors of an indiscriminate attack at a sightseeing resort and starts investigating the strange events that have been happening to them.

A shy, nerdy man, Takeru finds a schoolgirl hooker Lily is unconscious in a Tokyo park, so he decides to bring her home and lock her up in a secret basement. Although Lily is afraid of him, in fact, Takeru didn't do anything to hurt her. After Lily begins to uncover a shocking episode

Kotaro and Kuroe marry almost immediately in a Christian ceremony and move into an apartment. Life is completely joyous until, one day, Kuroe falls ill.

Maeda decides to have an operation to cure his color-blindness, but he becomes afraid that after the operation, his world is not going to be the same.

Three WWII veterans, reunited by family circumstances, quickly find their life savings threatened by a private corporation; they band together to fight back.

Witness a bizarre job interview and a dotty grandma in these five short surreal stories revolving around legendary Japanese department store Parco.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

While butoh master Akaji Maro is in rehearsal and fashion designer Shinichiro Arakawa prepares for the Paris collection, Sion begins a movie about a high school girl who falls in love... with a restaurant cook she's never even spoken to. Soon the artists' works come together in a race to help the girl's love.

17 year old schoolgirl Sakura visits a Samurai theme park called Survival Land with her friends where they’re supposed to go up against some cosplayers dressed as samurai but things go horribly wrong when one of the cosplayers gets infected after finding a strange flower in the theme park’s grounds and cutting it with his sword. Some black liquid sprays him in the face and the next thing we know he’s infecting the rest of his colleagues as they turn into zombies. Soon the game turns deadly as the undead cosplayers start attacking the girls with real weapons. They need to find a way to escape from the place and fast…..

Five young men participate in an experiment drug test, which is known as a short-term, high-paying part-time job.

When good-natured Mayumi finds herself at the mercy of her sadistic, panty-crazed teachers, only one brave naked soul is capable of confronting her tormentors -- Kekko Kamen! Wearing nothing but knee-high red boots and a red leather mask, this nunchaku wielding superhero gives these perverts a dose of their own medicine. Wildly cornball and completely over the top, this will have you watching with mouth agape in utter disbelief! Two Nipples Up!

Two girls and their partners want to visit their father to celebrate Father's Day. However, instead of happy meeting, they will be forced to experience inexplicable things.

Focusing on a woman addicted to sex and drugs in a corner of the city, this film depicts an exclusive and cold world on a monochrome screen. Attempting to fuse experimental film and dramatic film, this work exposes raw violence and eliminates explanatory expressions. It depicts the weight of the distance between a man and a woman that deepens after a small incident.

Sakiko, a young bank teller, has an unhealthy obsession with money. Thieves hold up the bank, kidnapping Sakiko in the process, but eventually crash their car, resulting in a suitcase stuffed with cash falling into a nearby river. For the remainder of the film, Sakiko begins a desperate quest to retrieve the money.

A gas leak explosion at a yakuza hideout provides a shy nurse and a rental car clerk with the opportunity to take a briefcase full of money. A cross-country chase ensues.

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

A black clad woman murders a man that she had just met by chance through a phone sex club.

There once stood a famous apartment building where such prominent manga artists as Tezuka Osamu, Shotaro Ishinomori and Fujio Akatsuka all lived, worked, and shared experiences. The name of the complex was Tokiwa-so, and these were the early days of artists who would later be revered as legends.

The pink movie director Mikami was selected as the new heroine by Makoto Kono, who had worked with him only once when he was an assistant director. He was a gentle beauty and a Madonna with a longing heart.

OV version of the comic "Summer Memories" based on Naoki Yamamoto. Kawanaka (acted by Takuji Suzuki), who was arrested in another case, started talking about the murder school girls. Detective Kuroda is gradually at the mercy of Kawanaka's madness...

An early film by Noboru Iguchi.

Focusing on a woman addicted to sex and drugs in a corner of the city, this film depicts an exclusive and cold world on a monochrome screen. Attempting to fuse experimental film and dramatic film, this work exposes raw violence and eliminates explanatory expressions. It depicts the weight of the distance between a man and a woman that deepens after a small incident.

A comedy of love and betrayal about two women suffering from mental illness and physical defects. (New theatrical edit of "Kurushime-san", with additional scenes).

A pair of friendly coworkers at a rental video store accidentally become murderers. Borrowing a station wagon, they flee with no particular destination in mind.

Film directed by Hisashi Saito.

It was once said that the camera is the pen of cinema, but for this film, the camera is the weapon of the filmmaker. The man who closes it refuses conventional communication with a strong desire for self-expression, and throws and scatters his lost "self" all over the place, regardless of who he is or where he is. The camera becomes a part of the artist, crawls on the ground with him, and starts to rotate with him. Self-deprecating, voyeuristic, violent... A vivid depiction of the sick soul of modern youth.