Viva

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

A football player and his mates travel to the planet Mongo and find themselves fighting the tyranny of Ming the Merciless to save Earth.

Justin McLeod is a former teacher who lives as a recluse on the edge of town after his face is disfigured from an automobile accident ten years earlier, in which a boy was incinerated--and for which he was convicted of involuntary manslaughter. Also suspected of being a paedophile, he is befriended by Chuck, causing the town's suspicions and hostility to be ignited.

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

A neurotic film critic obsessed with the movie Casablanca attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.

A political filmmaker finds himself in Long Island for a weekend where he finds himself entangled with a high-living, jet set crowd. At first it is exciting, but soon he finds himself disillusioned by their shallowness.

A mysterious door in the basement of the Hercules house leads to the Sixth Dimension by way of a gigantic set of intestine. When Frenchy slips through the door, King Fausto falls in love with her. The jealous Queen Doris takes Frenchy prisoner, and it is up to the Hercules family and friend Squeezit Henderson to rescue her.

Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.

After Eduardo, an Argentine loner on the lam, arrives in the U.S. illegally, he forms a relationship with a woman and her teenage daughter.

Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.

Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.

Joe Spencer, a member of a motorcycle gang, is taking a shower. After his bout with personal hygiene, Joe encounters Andy Warhol's "superstars," who engage him in conversation. The superstars crack jokes he doesn't understand and continually correct his poor pronunciation in an attempt to deflate his machismo. In response to these provocations, Joe becomes more obscene and more boasting, but ultimately, he cannot compete with the put-downs that are part of the put-on performances of the Warhol superstars, who prevail over him in the end.

A down on his luck former drug dealer is forced by a corrupt LAPD policeman to sell 100 kilos of confiscated marijuana in one weekend.

Vito gets out of jail after serving ten years and tries to find out who killed his younger brother.

"Chronicles of the Present Times" - An experimental trilogy. New Old flows together footage from more than a decade of his wandering between scenes, sets, and drugs, an accelerated world tour through various iterations of the counterculture.

The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's 1963 Cleopatra, starring Elizabeth Taylor and Richard Burton which Auder's cast watched and used as the starting point for scene by scene improvisation Auder drew his cast from Warhol's ensemble – including not only Viva and Louis Waldon, but also Taylor Mead, Ondine, Andrea Feldman, Gerard Melanga and others.

Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.

Iconic American artist and filmmaker Andy Warhol is the subject of this documentary, which looks at both his life and his influence on pop culture. The film provides details about Warhol's upbringing in Pittsburgh and follows his move to New York City, where he found massive success turning pop imagery into art and eventually founded "The Factory," his famed studio and party venue. Among the many notables interviewed are Dennis Hopper, David Hockney, and Roy Lichtenstein.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

Viva and Taylor Mead are a married couple renting an extra beach-house to a group of surfers sent to them by a Mr. Morrissey of La Jolla Realty. Their daughter, Ingrid Superstar, is pregnant and on the hunt for a husband. Mr. Mead, who is gay, tries to pawn her off to one of the surfers. Meanwhile, Viva wants a divorce from her boy-crazy hubby, who wants a surfer of his own. Tom, a surfer, is inveigled by Mr. Mead to urinate on him. In a close-up, Mr. Mead receives Tom's offering ecstatically, after which he comments, "I'm a real surfer now."