Mahmoud Kalari

It’s 1988 and, at the height of the Iran-Iraq War, Tehran is bombed relentlessly. The days that pass are full of foreboding, and yet, love, affection, hope and life itself manage to sweep away the fear of death from those surrounded by it. Love may often be difficult to comprehend, but death is a horrible certitude. ‘Bomb, A Love Story’ shows how, even when faced with the darkness of death, love and hope will find a way.

Tracing the history and influence of Iranian cinema and its filmmakers.

Mehrjui: The Forty-Year Report dives into the artistic world of Iranian director Dariush Mehrjui. The film offers critical interpretations of his works from cinema experts, enriched with personal anecdotes from his peers.

Ahmad is a psychiatrist, believing in the treatment of the soul with the medicine in a positivistic and laboratorial way. But when his wife goes missing, he gets involved in his own delusions. Trying hard to find a trace of her, he goes to all of his friends. He desperately tries to act as a very democratic person, giving priority to his wife’s joy and pleasures. He is even willing to show that he would be happy if his wife marries one of his friends since he thinks the other one would be able to make her happier. But it seems that she’s notified that the matter of her happiness is absolutely not dependent on a “man”. Thus he sees that all his scientific beliefs are collapsed…

Documentary about Film magazine. Film (Persian: فیلم) is an Iranian film review magazine published for more than 40 years (founded in 1982).

This documentary looks at different aspects of the life of Bahman Farmanara, the well known Iranian film director and producer.

A political allegory on four middle-class guys who pile into their car for a ski weekend. A brief stop at a picturesque vista leads to their chance discovery of a prominent rock formation it seems would be oh so easy to tip over, but...

For his directorial and writing debut, cinematographer Mahmoud Kalari turns to his most familiar subject: filmmaking. A small crew from Tehran is filming in the countryside. Just when they are ready to shoot the final scene, the weather refuses to cooperate. As if that’s not enough of a problem, the lead actor suddenly abandons the shoot to attend to a family emergency. How far will the filmmakers go to accomplish their mission? Having worked on dozens of productions as a cinematographer, Kalari reflects on the absurd and comical situations that befall filmmakers in this charming picture (on which he also served as cinematographer).

7-year-old Atta is taken to a fortune teller to identify the thief of her aunt's gold during a ceremony. Atta, who has no idea of the outcome of what she utters in that situation, to get out of that situation, tells everything from her aunt's definitions about Dawood, her other cousin.

7-year-old Atta is taken to a fortune teller to identify the thief of her aunt's gold during a ceremony. Atta, who has no idea of the outcome of what she utters in that situation, to get out of that situation, tells everything from her aunt's definitions about Dawood, her other cousin.