Anoop Kumar

Anmol Tasveer is a 1978 Bollywood film directed by Satyen Bose.

Three woman-hating brothers face changes in their respective lifestyles when two of them fall in love.

Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.

A young girl is rendered homeless and helpless after her cruel relatives chase her out of her home. She finds shelter with a poor street performer who lives with his two children, a dog and a monkey.

A version of the epic Indian poem "The Mahabharata", telling the story of the war between the families of the Pandavas and the Kauravas, descending from the same ancestor.

A humorless and pompous businessman goes wild when he falls in love. Now if only his domineering mother could understand his new lease on life.

A man (Amitabh Bachchan) is found wounded on railway tracks and when he awakens he has no memory of who he is and doesn't remember anything about his life.

Thieves Bholanath and Sharmili run away with a manuscript containing stealing tips and sell it to Parvin, an unscrupulous publisher. However, when the book becomes a huge hit, they fall into trouble.

A terminally ill man frames himself for murder to allow his family to collect the reward money. After a successful operation, he escapes police custody and searches for the real killer.

A British administrator with a flair for game hunting develops a friendship with a commoner who is an expert archer in an Indian village. The movie portrays the relationship between the British colonialists, and native villagers who were exploited by Indian landlords in 1920s India. This happens against the backdrop of the awakening of the Indian people against the British rule.

A struggling artist accidentally kills a man on a "wet night." Unbeknownst to him, a wealthy witness falls for his sister. Their love blossoms, but the hidden truth of the murder threatens to unravel everything, forcing them to confront a dark past that could shatter their future.

A crime leads to the long separation of two brothers whose life end up very different

Anjana lives a wealthy lifestyle with her dad, Dwarka Nath, in a hilly region in India. When she returns home after several years, she finds that her dad has become more strict and a disciplinarian, and even has his erring employees and villagers flogged. Then she meets with local villager, Jhumroo, and both fall in love with each other. Jhumroo takes her home to introduce her to his mom, Kamla, who approves of her instantly. When Dwarka comes to know about this, he is enraged, and quickly announces her marriage with his Manager, Ramesh. Jhumroo is heart-broken and goes to meet with Anjana, who does tell him that she loves him, but must obey her father. What Jhumroo and Anjana do not know is that she is not Dwarka's daughter, but is the daughter of Kamla, and abducted at a very young age.

Numerous plot lines intersect in this comedic romp about a female Victoria-carriage driver who disguises herself as a boy, and the hunt for the stash of diamonds hidden in her Victoria.

A rich young man woos proud girl against her father's wishes.

Shanta, a widow who wants to question the orthodox society, falls in love with Shekhar, a poet. In her quest to fight the system, Shanta's father-in-law, a retired judge, supports her.

Ravi, a fireman, falls in love with Roopa, a simple village girl. The couple is happy in their new relationship until Jagirdar, who also loves Roopa, tries to separate them.

When Thakur Virendra Singh's wife firstborn child is still born, Janaki, who used to be a tawaif, gives up her newly born son to the grieving mother. The two families' fates get entangled yet again when Virendra Singh's second son falls in love with Janaki's daughter.

Shankar and Buddhu are identical twins. Shankar, unbeknownst to Buddhu, has found love with a painter; Buddhu meanwhile falls in love with the painter’s sister, who works at his office. As neither sister knows her lover has a twin, and Buddhu is unaware of Shankar’s romance, confusion ensues.

A movie stunt-man is recruited to impersonate a look-alike mentally unstable heir to a vast estate.

The sequel to Chalti Ka Naam Gaadi

A romance masquerading as a debate on art. A painter, a writer and a singer meet three women, each of whom loves one of the art forms they practise. Unfortunately, they are mismatched. The ensuing misunderstandings are resolved only after their respective soul mates have been discovered and their marriages arranged. This is one the the last independent films by A. Chakrabarty, formerly of Bombay Talkies and the man who discovered Dilip Kumar in his first film, Jwar Bhata (1944).