Acting
Luiz Paulino dos Santos
Born 1932-03-19 · Bahia, Brazil
Luiz Paulino dos Santos (1932-2017) was a Brazilian screenwriter, producer, director of photography, filmmaker, and occasional actor. Born in the state of Bahia, Paulino dos Santos was already involved with local filmmaking by the late 1950s being the cinematographer for Glauber Rocha's 1959 short "O Pátio". In 1961, he got signed up with Rex Schindler's production company Rex Filmes to write and direct a feature-length film,"Barravento". Shortly after shooting had started, however, he left the project and was replaced by Glauber Rocha, who also rewrote parts of the script, with dos Santos being credited as co-screenwriter. In the same year, he was also in Nelson Pereira dos Santos' entourage to film "Vidas Secas", which was unsuccessful when production found out that a season of rain had made the film's dry location burst with trees, plants and flowers. When Pereira dos Santos decided to use the trip to write a quick script and shoot a Brazilian-style western, that would be titled "Mandacaru Vermelho", Paulino dos Santos became one of the film's improvised actors, along with a group of technicians that included director Nelson Pereira himself. From the 1960s on, Paulino dos Santos developed a body of work of his own both as a screenwriter and as a director, in a career that ended with his passing in 2017. He was nominated for Best Feature in 1976s Gramado Film Festival for "Crueldade Mortal", and his last film was "Índios Zoró: Antes, Agora e Depois?", released in 2016.
Acting credits
2.0On a same night, five people from a small country town have the same nightmare. Upon the arrival of a pilgrim, the village is taken off its mediocre routine and the characters are thrown on the vortex of an uncommon situation. Each one’s truth will come to light, releasing them of the wicked hypocrisies, fears and diseases, compelling them to take control of their fate and rewrite their life.
The Man Who Couldn't Sleep
2012
NRNo synopsis available yet.
Ser Tão Cinzento
2011
NRNo synopsis available yet.
Seu Paulino
2017
No synopsis available yet.
Estafeta - Luiz Paulino dos Santos
2008
6.7Despite being promised to another man, a young orphaned woman falls in love with man working at the farm she lives in , and together they escape. According tradition in Northeast Brazil, her aunt goes after them, in order to kill them for revenge.
Red Mandacaru
1961
No synopsis available yet.
Sinais de Cinza, A Peleja de Olney Contra o Dragão da Maldade
2013
Behind the camera
No synopsis available yet.
Ikátena
1983
9.0A three-episode anthology film based on short stories by Brazilian writer Graciliano Ramos.
Insônia
1982
9.0A three-episode anthology film based on short stories by Brazilian writer Graciliano Ramos.
Insônia
1982
7.1Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.
Black God, White Devil
1964
NR30 years ago, director Luiz Paulino dos Santos made a poetical register of the Zoró indians. He comes back to show it to them and finds a whole different tribe.
Indios Zoró - Antes, Agora e Depois?
2016
NRUm Dia na Rampa (1960), by Luiz Paulino dos Santos, focuses on a geographic space in the city of Salvador and tries to explain it from the social relations existing in it.
A Day on the Ramp
1960
NRUm Dia na Rampa (1960), by Luiz Paulino dos Santos, focuses on a geographic space in the city of Salvador and tries to explain it from the social relations existing in it.
A Day on the Ramp
1960
NRNo synopsis available yet.
Lisetta - Conto de Antonio de Alcântara Machado
1974
6.9In Bahia, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a factor of political and social oppression, with tragic outcome.
The Turning Wind
1962
6.8A man and a woman are laying on a chess-like patio. Both are trying to reach each other in the best way they can. However, for some odd reason they don't get on their feet, they don't talk to each other, and the only sounds heard are voices coming from a radio and strange sounds that seem to indicate something's about to happen.
O Pátio
1959
6.0Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.
Deadly Cruelty
1976
6.0Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.
Deadly Cruelty
1976
6.0Man leaves his family behind and moves to Nova Iguaçu, a poor and violent city in the outskirts of Rio de Janeiro. He tries to rebuild his life, but falls in love with a woman who despises him, which drives him mad.
Deadly Cruelty
1976
Helena, married to decorator Bruno, is a woman dissatisfied with the futility of social life. She rekindles her relationship with her former boyfriend, Clóvis, and discovers how difficult the struggle for happiness is by seeing the example of the less fortunate. After saving herself from the rough seas on the beach, Helena finds herself possessed by a mystical fear. On New Year's Eve, while the people celebrate Iemanjá, Helena and Bruno throw a lavish party. Their employee, Luiz, is arrested as a suspect in the death of a woman found on the beach. Having a disagreement with her husband, Helena leaves the party and throws herself into the sea. She is saved by Umbanda followers and welcomed by Bruno, who tries in vain to comfort her.
Mar Corrente
1967
Helena, married to decorator Bruno, is a woman dissatisfied with the futility of social life. She rekindles her relationship with her former boyfriend, Clóvis, and discovers how difficult the struggle for happiness is by seeing the example of the less fortunate. After saving herself from the rough seas on the beach, Helena finds herself possessed by a mystical fear. On New Year's Eve, while the people celebrate Iemanjá, Helena and Bruno throw a lavish party. Their employee, Luiz, is arrested as a suspect in the death of a woman found on the beach. Having a disagreement with her husband, Helena leaves the party and throws herself into the sea. She is saved by Umbanda followers and welcomed by Bruno, who tries in vain to comfort her.
Mar Corrente
1967