Ismail Merchant

In-depth interviews with hard-hitting questions and sensitive topics being covered as famous personalities from all walks of life talk about the highs and lows in their lives.

When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?

After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.

In interwar Britain, a rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a new housekeeper. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

In-depth interviews with hard-hitting questions and sensitive topics being covered as famous personalities from all walks of life talk about the highs and lows in their lives.

When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?

After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.

In interwar Britain, a rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a new housekeeper. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

In 1930s Shanghai, 'The White Countess' is both Sofia, a fallen member of the exiled Russian aristocracy, and a nightclub created by a blind American diplomat who asks Sofia to be the centerpiece of the world he wants to create.

The passionate Merchant-Ivory drama tells the story of Francoise Gilot, the only lover of Pablo Picasso who was strong enough to withstand his ferocious cruelty and move on with her life.

Wealthy American widower Adam Verver and his daughter Maggie live a refined life in Europe, surrounded by art. Maggie marries impoverished Italian Prince Amerigo, while Adam marries Maggie's friend Charlotte Stant. The Prince and Charlotte are having an affair, which Maggie discovers and navigates through a silent, psychological battle of wills, ultimately using her cunning to preserve her marriage and protect her father.

Set during World War II, an upper-class family begins to fall apart due to the conservative nature of the patriarch and the progressive values of his children.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Anne is investigating the life of her grand-aunt Olivia, whose destiny has always been shrouded with scandal. As Anne delves into the history of her grand-aunt, she is led to reconsider her own life.

A bored lawyer and a suffragette vie for the attention of a faith healer's charismatic daughter.

Meet the denizens of New York City: artists, prostitutes, saints, and seers. All are aspiring toward either fame or oblivion while hoping for love and acceptance. Instead they find high rent, faithless partners, and dead-end careers.

His wife having recently died, Thomas Jefferson accepts the post of United States ambassador to pre-revolutionary France, though he finds it difficult to adjust to life in a country where the aristocracy subjugates an increasingly restless peasantry. In Paris, he becomes smitten with cultured artist Maria Cosway, but, when his daughter visits from Virginia accompanied by her attractive slave, Sally Hemings, Jefferson's attentions are diverted.

India, 1825: the country lives in mortal fear of cult members known as the “Deceivers." They commit robbery and ritualistic murder. Appalled by their activities, an English military man, Captain William Savage, conceives a hazardous plot to stop them. In disguise, he plans to himself become a “Deceiver” and infiltrate their numbers. Ever present in Savage’s adventures is a sense of dread; he is in constant fear of betrayal and vengeance and also undergoes a disturbing psychological transformation as he experiences the cult’s blood lust firsthand.

A small-town eccentric opens a café in her decaying home.

This fictionalized story, based on the family life of writer James Jones, is an emotional slice-of-life story. Jones is portrayed here as Bill Willis, a former war hero turned author who combats alcoholism and is starting to experience health problems. Living in France with his wife, daughter, and an adopted son, the family travels an unconventional road which casts them as outsiders to others. Preaching a sexual freedom, his daughter's sexual discovery begins at an early age and betrays her when the family moves to Hanover in America. Her overt sexuality clashes with the values of her teenage American peers and gives her a problematic reputation. Meanwhile, her brooding brother copes with his own interior pain regarding his past, only comfortable communicating within the domestic space.

An aging silent movie comic star throws a lavish party to try and save his failing career.

Spanning twenty-four hours, HEIGHTS follows five New Yorkers challenged to choose their destiny before the sun comes up the next day.

When her husband's arrest leaves her penniless, a woman accepts an invitation to move in with a strange couple.

On the birthday of her late father, a deposed Maharaja, a displaced Indian princess living in London and his former private secretary watch home movies and reminisce about royal India.

An adaptation of Henry James' novel about the Countess Eugenia Münster and her brother Robert, expatriate Americans who have grown up in Europe. Returning to prosperous relatives in New England, Eugenia hopes to make an advantageous marriage with a wealthy cousin. While Eugenia encounters obstacles, Robert finds his suit bearing fruit.

A tribe of primitive "mudpeople" encounter a croquet ball, rolling through their forest. Following it, they find themselves on a vast, deserted Long Island estate. Entering, they begin to become civilized and assume the stereotypical roles and dress of people at a weekend party. There follows an allegory of upper-class behavior. At last, they begin to devolve toward their original status, and after a battle at croquet, they disappear into the woods.

An English novelist travels to Bombay to watch one of her novels translated to film. She chases after the movie's leading man while the screenwriter chases after her.

An expatriated French novelist returns to Paris when she learns that her childhood home is being placed on the auction block.

Two teachers vie for the right to stage a play written by Jane Austen when she was twelve years old.

The story of a family troupe of English actors who travel around the towns and villages in India giving performances of Shakespearean plays. Through their travels we see the changing face of India as the old is replaced by the new, Maharajas become hotel owners, sports become more important than culture and the theater is replaced by Bollywood movies. Based on the travels of Geoffrey Kendal with his daughter Felicity Kendal.

"Roseland" is made up of three stories, sometimes connecting, all set in the famed New York City dance palace, and all having the same theme: finding the right dance partner.

Ismail Merchant's feature directorial debut addresses a subject close to his heart: the expressive Urdu language of Northern India, in danger of extinction as political trends and modernization obscure its contributions to Indian culture. Merchant 's treatment is wry and good humored , as his characters - an aging Urdu poet (Shashi Kapoor) and a worshipful young college lecturer - clash despite their shared passion for the beauty of words.

This short documentary, shot in July 1976 at the Mannes College of Music on Manhattan's Upper East Side, marks the first collaboration between Merchant Ivory Films and composer Richard Robbins, who would go on to provide the musical scores for nearly all Merchant Ivory films. Later in 1976, 'Sweet Sounds' was shown at the New York and London Film Festivals. It was also broadcast on PBS.

Looks at the musical extravaganzas which constitute the main bulk of commercial cinema in India; in particular at the career of Helen, the undisputed Queen of such sagas, having appeared in some five hundred since 1957. Excerpts from some of her films are interspersed with an interview with the star in her dressing room.

Off-camera, a Western traveler tells us of hearing singing from his hotel window in Bombay. He searches for the source, and discovers a caste of street performers, eking out a modest living. We see individuals and groups, old and young, snake charmers and those hired to sing at family celebrations. A few talk about their lives and refute accusations of kidnapping lodged against the caste. A troupe of women sing at a party for a pregnant woman - they are saucy and blunt, encouraging and sisterly.

A British family is trapped between culture, tradition, and the colonial sins of the past.

Britain's top pop artiste, Tom Pickle, travels to Bombay, India, circa 1960s to learn to play the sitar from renowned maestro Ustad Zafar Khan.

Circa 1940 in Trinidad, still a British Colony, lives Ganesh Ramseyor, of East Indian origin, along with his wife, Leela. He longs to reach out to people, especially to Hindus, in order to promote the Hindu Faith, and be known as a writer. He does get considerable success, so much so that he becomes famous as a miracle worker, having cured a man of sharing intimacy with his bicycle; prevented a man from believing that he can fly; and convincing a young woman to end her fast. His fame spreads all over the island and thousands throng to seek his blessings, which he does dole out quite benevolently, without charging any fees from the poor and the needy. He then decides to spread his wings by challenging the local politician Pandit Narayan Chandrashekhar alias Cyrus T., and takes over The Hindu Organization, thence opening his way to a seat in the prestigious Member of the Legislative Assembly

In the time frame of a single day (from dawn to dust), the film records the wanderings of an Indian youth who sleeps on the beach, holds conversations with a statue of Mahatma Gandhi, and scavenges for food with his monkey. By afternoon, a little ceremony is held by well-to-do Gandhi-ites, at which a speaker delivers a sermon on "godly love"; but when the boy comes too close, he is told to move on by a guard, one of a series of exclusions of this onlooker-outcast.

In the time frame of a single day (from dawn to dust), the film records the wanderings of an Indian youth who sleeps on the beach, holds conversations with a statue of Mahatma Gandhi, and scavenges for food with his monkey. By afternoon, a little ceremony is held by well-to-do Gandhi-ites, at which a speaker delivers a sermon on "godly love"; but when the boy comes too close, he is told to move on by a guard, one of a series of exclusions of this onlooker-outcast.

A legendary collection of miniature paintings have been locked up in the storeroom of an Indian palace for years; the collection's fame attracts a group of art lovers and fortune seekers who converge simultaneously on the palace.

Prem, a young school teacher, is arranged married and begins the journey of learning the roles and responsibilities required of him.

In the Mumbai, India, tenement community of Pavanpul, young female courtesans sing, dance and perform sexual favors for male clientele. Directors James Ivory and Ismail Merchant blend documentary footage and dramatic reenactments in their exploration of this seamy underworld, the flip side of the Bollywood film industry, where aspiring actors and dancers -- some even sold into prostitution by their own families -- end up, with their innocence lost and their hopes for movie stardom shattered.