Petr Schulhoff

A story of two story of two children tossed between their indifferent parents and a progressive boarding school.

Within the cultural policy framework of the 1950s, Mikoláš Aleš was, in terms of fine art, equivalent to Bedřich Smetana in music and Alois Jirásek in history and literature. This biopic presents Aleš as an artist of a devoted to his nation and its folk traditions. The movie depicts the most important events of the celebration of “Aleš’s Year” (in honour of the hundredth anniversary of Aleš’s birth), which was conceptually prepared first and foremost by the then education minister Zdeněk Nejedlý, who was also a crucial figure in terms of cultural policy.

Within the cultural policy framework of the 1950s, Mikoláš Aleš was, in terms of fine art, equivalent to Bedřich Smetana in music and Alois Jirásek in history and literature. This biopic presents Aleš as an artist of a devoted to his nation and its folk traditions. The movie depicts the most important events of the celebration of “Aleš’s Year” (in honour of the hundredth anniversary of Aleš’s birth), which was conceptually prepared first and foremost by the then education minister Zdeněk Nejedlý, who was also a crucial figure in terms of cultural policy.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Alois, manager of a remote mountain inn, loses his maid when she can’t stand his oversized Saint Bernard, Bohouš. When a ravenous guest arrives, Alois makes a wager: if the guest can out-eat Bohouš in one sitting, they earn a free week’s stay; if not, they must serve as the inn’s maid for a week.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A TV comedy about an aunt who would like to get married.

A TV comedy about an aunt who would like to get married.

Visiting the company cafeteria is like going through the nine circles of Dante’s Inferno. At least that’s how Valoušek, editor of Kulturní noviny, sees it when he unwittingly becomes the protagonist of a social experiment at the local company cafeteria, where everything happens the opposite of how it should. This humorous satire about the conflict between reality and ideals highlights the pitfalls of the journalism profession, and the fact that culture is created not by institutions, but by people.

Visiting the company cafeteria is like going through the nine circles of Dante’s Inferno. At least that’s how Valoušek, editor of Kulturní noviny, sees it when he unwittingly becomes the protagonist of a social experiment at the local company cafeteria, where everything happens the opposite of how it should. This humorous satire about the conflict between reality and ideals highlights the pitfalls of the journalism profession, and the fact that culture is created not by institutions, but by people.

For the Novák and Bartáček families, money is king, and they'll do just about anything to get it. While René Novák pitches his parents a lucrative scheme to swindle as many people with the last name Novák in the country as possible, the Bartáček clan decides to pretend to be much poorer than they really are in order to siphon some dollars from an American relative. And it doesn't take long before these separate scams start to intertwine.

For the Novák and Bartáček families, money is king, and they'll do just about anything to get it. While René Novák pitches his parents a lucrative scheme to swindle as many people with the last name Novák in the country as possible, the Bartáček clan decides to pretend to be much poorer than they really are in order to siphon some dollars from an American relative. And it doesn't take long before these separate scams start to intertwine.

A dedicated biologist, Dr. Petr Gabriel accidentally kills a child in a hit-and-run and, fearing the ruin of his career, hides the body and shifts blame onto two intruders. His new acquaintance Olga and investigator Major Válek grow suspicious as Petr’s fabricated evidence unravels, plunging him into increasingly desperate mistakes.

A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).

A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).