Petra Jungmanová

When sisters Jana and Anna meet their half-brother at their father's funeral, the siblings' lives entwine as they navigate relationships and setbacks.

Insufficient brothers Jakub and David, along with friend Sasa, spend most of their time in the social networking world. Relationships for them are chat with virtual girls they have never seen, living a fake fashion show in which they pretend something that is not the biggest life problem, then a discharged cell phone or a broken wifi. The pressure of parents is forced to go under the leadership of David's charming "stepmother" Tereza on a twenty-kilometer bicycle trip, surprisingly finding out there is a real world out there in which life means more than facebook status, real girls look a little better than cartoon action heroes of virtual games and love also include sex.

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33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

Tereza is a former prima ballerina at the National Theater who ended her career as a professional dancer after an injury and moved with her husband Petr and seven-year-old daughter Maruška to an abandoned mill in the Broumov region, which she inherited from her grandmother. With dogged determination and limited financial resources, she is renovating the building to create a new home for her family. She earns extra money by running a physical education club at the local school.

A team of detectives bumbles and fumbles their way through an investigation that involves murder, blackmail and possibly someone they know.

Lenka is a high-earning manager in the global finance sector. She lives for her work and is on the verge of achieving success in her life: if she manages to close a deal with a Turkish company, she will become the director of the company for the whole of Asia. However, because of her work, she neglects her loved ones—her husband Jiří, a university professor, and her teenage son Patrik, who is currently experiencing his first relationship. A foolish bet with her son that she can skate more than 100 meters on roller skates proves fatal – she wins the bet, but immediately breaks both her wrists.

Anna spends every summer with her husband in a neighborhood a few dozen kilometers outside Prague. They've been together for ages, so their marriage, as is so often the case, has become routine and stereotyped. For a long time, the man has divided his time fairly between drinking with friends in the pub and making ship models of matches in bottles; His wife is virtually invisible to him. Anna spends several days each summer and enjoys regular meetings with her friends and colleagues who visit her in picturesque Central Bohemia on bike tours around Kamýk Castle.

The ancient biblical story of the construction and fall of the Tower of Babel, tragic fates, intolerance, but also the search for love and hope in a television recording of a musical by the Brno City Theater.

A loose continuation of the cases of our murder squad in the films Škodná and Hrobník. The new film not only deals with the murder of a psychologist, reminiscent in some respects of a deviant crime with bizarre ritual elements. We also follow the fate of Drobný, a recently released prisoner who is convinced that he has a profound reason to hate the psychologist and take revenge on her. Gradually, he finds himself in the position of a cornered animal, which only intensifies his desire for harsh retribution. The first storyline of the film is purely detective-like, while Drobný's story is more in the style of a gritty crime thriller.

Erhart wants to protect his mentally ill mother from the forced sale of her home. Doing so, he uncovers a scheme that reveals the secrets of his long-vanished father. Family story meets the legacy of post-socialist transformation.

At the beginning of this detective story, the body of Martin Horák, owner of a car repair shop, is found in a bathtub. The police eventually close the case as a suicide. However, detective Pavel Vondra is not convinced and begins to unravel the threads of this initially seemingly clear case of an accident...

At a roadside inn, the wandering knight Dan and his squire Vítek meet two offended former ministers of the Forest Kingdom. They complain that the young princess Jelena, who recently took the throne, spends her time hunting with her female companions, but hates men and does not want to marry—and with a capricious woman on the throne, the country will soon come to a bad end. This intrigues the young men—they have never met Amazons before—and so they set off for the capital city.

The production was based on Ivan Olbracht's novel Nikola Šuhaj loupežník (Nikola Šuhaj the Robber). The music draws on Petr Ulrych's famous LP, which was released in 1974, won the Bílá vrána (White Crow) award from Mladý svět magazine, and subsequently inspired a production at Prague's Divadlo Ateliér theater. Among other things, the band Javory was formed on this occasion. The expanded band Javory also plays and sings in the 2002 production of the Brno City Theater, and additional musical numbers were created for it. Of the 25 numbers, more than half are new to the performance. Petr Ulrych won the A. Radok Award for his music. Director and author of the theatrical adaptation Stanislav Moša incorporated film footage into the production, which works wonderfully as a reminiscence of natural beauty. Also worth mentioning is the impressive choreography of the police and bandit choirs and the excellent acting and singing performances, led by Petr Štěpán in the lead role.

This time, Captain Vašátko of the criminal police and Horác, a painter, bohemian, and amateur detective, will be searching for the murderer of the author of so-called computer poems. Kristián Vích is a mathematician approaching forty. He is very popular among his colleagues. He is secretly dating Tereza, the wife of his rude colleague. The lovers are planning Tereza's divorce and a life together. However, Vích's despotic mother has other plans for her son and a favorite among her colleagues. One day, Kristián's body is found floating in the river, and the perpetrator is, of course, unknown...