Ritwik Ghatak

An in-depth look at the lives and struggles of a fishing community living by the River Titas in Bangladesh after the Partition of India in 1947.

After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.

Ramkinkar Baij is an incomplete personality study or documentary on sculptor Ramkinkar Baij created by legendary filmmaker Ritwik Ghatak. He started creating the film in 1975. The film was almost complete but it still remained unfinished for the death of Ritwik Ghatak.

After Partition, a large group of farmers from East Bengal have to migrate to Calcutta.

the story of a lost butterfly-shaped diamond brooch that belongs to an elderly woman, and its passage through unexpected hands

An in-depth look at the lives and struggles of a fishing community living by the River Titas in Bangladesh after the Partition of India in 1947.

An in-depth look at the lives and struggles of a fishing community living by the River Titas in Bangladesh after the Partition of India in 1947.

A selfless young woman, the daughter of a middle-class refugee family from East Pakistan, sacrifices her own happiness for her unappreciative family.

A selfless young woman, the daughter of a middle-class refugee family from East Pakistan, sacrifices her own happiness for her unappreciative family.

After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.

After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.

Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.

Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.

Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.

Set in 1950s Calcutta against the partition of India, the plot follows two rival factions born out of the divided leadership of the radical IPTA theater movement. Amidst their intense creative differences, a romance develops between two uprooted refugees, Bhrigu and Anusuya.

Set in 1950s Calcutta against the partition of India, the plot follows two rival factions born out of the divided leadership of the radical IPTA theater movement. Amidst their intense creative differences, a romance develops between two uprooted refugees, Bhrigu and Anusuya.

Set in 1950s Calcutta against the partition of India, the plot follows two rival factions born out of the divided leadership of the radical IPTA theater movement. Amidst their intense creative differences, a romance develops between two uprooted refugees, Bhrigu and Anusuya.

The stories of three sets of people, linked by their connection to an old suburban house in Calcutta- An orphaned young woman who desperately wants her husband to make up with his estranged parents so that she may belong to a family once more, a wayward young man desperate to find a job to support his aged father and his widowed sister-in-law, and a shadowy neighbourhood ‘madman’

Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.

Kanchan, all of eight years old, is always up to pranks and mischief in his village home. He finds his father a cruel demon who keeps his mother oppressed and imprisoned. In his dreams, the big city is El Dorado, until he reaches there.

The film brings to the screen the determination of the common man of Bangladesh to stand up to tyranny and win his priceless liberty back.

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.

The sole dream of Ramu, eldest son a family of migrants, and Uma to build a happy life together is burdened by a pile of obstacles on their way due to economic upheaval in post-partition Calcutta.

The sole dream of Ramu, eldest son a family of migrants, and Uma to build a happy life together is burdened by a pile of obstacles on their way due to economic upheaval in post-partition Calcutta.

Life and disciples of legendary Indian classical musician and teacher, 'Guru' of Pandit Ravishankar, 'Baba' Ustad Alauddin Khan.

Life and disciples of legendary Indian classical musician and teacher, 'Guru' of Pandit Ravishankar, 'Baba' Ustad Alauddin Khan.

Amar Lenin is a 1970 black and white documentary film directed by film director Ritwik Ghatak made for Government of West Bengal in the centenary year (1970) of the birth of Vladimir Lenin.