Dennis Potter

The South Bank Show is a television arts magazine show produced by ITV between 1978 and 2010. A new series began on Sky Arts from 27 May 2012. Presented by Melvyn Bragg, the show aims to bring both high art and popular culture to a mass audience.

Exhaustive 13-part survey of the television medium from its hesitant beginnings in the 1920s to the multi-million dollar extravaganzas of today and the cable and satellite technologies of the future [relative to 1985]. Tackling the medium as a worldwide phenomenon, the series examines each of the principal areas of programming - news, drama, documentaries, and light entertainment - and the unique impact of "live" coverage.

Police Inspector Renko tries to solve the case of three bodies found in Moscow's Gorky Park but finds his attempts to solve the crime impeded by his superiors. Working on his own, Renko seeks out more information and stumbles across a conspiracy involving the highest levels of the government.

Tormented and bedridden by a debilitating disease, a mystery writer relives his detective stories through his imagination and hallucinations.

80-year-old Alice Hargreaves is about to visit Columbia University to attend a reception in honour of author Lewis Carroll. As a child, Alice's close friendship with the writer was the creative catalyst for Carroll's most beloved work. However, as Alice reflects on her experiences with the author, she slowly realises the complexity of their bond has had lasting, deeply felt ramifications.

During the Great Depression, a sheet music salesman seeks to escape his dreary life through popular music and a love affair with an innocent schoolteacher.

The South Bank Show is a television arts magazine show produced by ITV between 1978 and 2010. A new series began on Sky Arts from 27 May 2012. Presented by Melvyn Bragg, the show aims to bring both high art and popular culture to a mass audience.

Exhaustive 13-part survey of the television medium from its hesitant beginnings in the 1920s to the multi-million dollar extravaganzas of today and the cable and satellite technologies of the future [relative to 1985]. Tackling the medium as a worldwide phenomenon, the series examines each of the principal areas of programming - news, drama, documentaries, and light entertainment - and the unique impact of "live" coverage.

Blackeyes is a four-part BBC television miniseries written and directed by Dennis Potter, based on his novel of the same name. The complex, surreal drama follows novelist Maurice James Kingsley, who bases a successful book on his niece Jessica's modeling career, angering her as he turns her experiences into a story of a victimised woman named Blackeyes. Jessica in turn rewrites the novel to liberate the character.

Police Inspector Renko tries to solve the case of three bodies found in Moscow's Gorky Park but finds his attempts to solve the crime impeded by his superiors. Working on his own, Renko seeks out more information and stumbles across a conspiracy involving the highest levels of the government.

Tormented and bedridden by a debilitating disease, a mystery writer relives his detective stories through his imagination and hallucinations.

80-year-old Alice Hargreaves is about to visit Columbia University to attend a reception in honour of author Lewis Carroll. As a child, Alice's close friendship with the writer was the creative catalyst for Carroll's most beloved work. However, as Alice reflects on her experiences with the author, she slowly realises the complexity of their bond has had lasting, deeply felt ramifications.

During the Great Depression, a sheet music salesman seeks to escape his dreary life through popular music and a love affair with an innocent schoolteacher.

A mysterious stranger inserts himself into a troubled family's life, blurring the lines between good and evil as he cares for their disabled daughter.

On an idyllic summer afternoon in the summer of 1943, a group of children play in the West Country hills, fields and forests. With no adults around, they indulge in spontaneous games and horseplay - sometimes echoing the distant war, at other times revealing their own insecurities and petty vindictiveness.

A reclusive author is visited by a young admirer - but both men are more than they claim to be.

A British businessman whose family company has been taken over by a multinational corporation clashes with his new American manager while they both vacation with their families at an Italian villa at their employer's expense. The manager's son fantasizes a murderous outcome.

Years after a desperate teenage Linda gives up her baby for adoption, she finds herself face-to-face with Martin, a young man claiming to be her long-lost son. Linda embraces Martin and in him finds a welcome reprieve from her unhappy marriage to the neglectful Henry. But soon Martin grows violent and becomes obsessed with Henry -- a philandering man whose only offspring is an expansive model train set that devours his waking hours.

A mysterious stranger inserts himself into a troubled family's life, blurring the lines between good and evil as he cares for their disabled daughter.

During a train ride, an anxiety attack leads middle-aged illustrator John into an identity crisis. As his marital problems merge and blur into his fantasy life with prostitutes and call girls, a long-dormant secret friend of his childhood surfaces in his delusions.

During a train ride, an anxiety attack leads middle-aged illustrator John into an identity crisis. As his marital problems merge and blur into his fantasy life with prostitutes and call girls, a long-dormant secret friend of his childhood surfaces in his delusions.

Glen, a complete stranger, appears at the door of Elizabeth Carter, a middle-aged woman, and claims to be the illegitimate son she gave away at birth.

A young local girl is murdered by a mentally disturbed youth, but the villagers blame a stranger, an Italian traveling showman and his bear, rather than see the rot in their own camp.

A no-nonsense businessman, Mr. Wilkie, is interviewed for a position with a top-of-the-line hotel chain corporation. During the interview, Wilkie attempts to complete a shaggy-dog story. His frustrations lead to a total breakdown. He suddenly snaps and pulls a gun on the interviewers.

Past and present intertwine: An elderly couple returns to the hotel where they became close when they were young and flashbacks to the earlier visit reveal the origins of both their pleasures and problems. Somewhere between the past and the present, Dennis Potter attempted to find "the shape of a life, of two lives..."

Poor Willy’s mind has been warped by too many Westerns. He sees gunfighters on every corner, even though he’s in 1960s Swansea. Some think Billy’s simple. His Auntie just thinks he’s creative. But he’s on a dark path as his vivid imaginings grow wilder, and the world in his head comes roaring out into reality.

After a brief tutelage with innovative BBC documentary producer Denis Mitchell, Dennis Potter teamed with producer Anthony de Lotbiniere to film a documentary (later described by David Niven as "absolutely wonderful"). Returning to the Berry Hill roots of his childhood, Potter used interviews with locals (including his parents) to show changes in the working-class traditions of the Forest of Dean, where "the green forest has a deep black heart beneath its sudden hills, pushing up slag heaps and gray little villages clustering around the coal."

After a brief tutelage with innovative BBC documentary producer Denis Mitchell, Dennis Potter teamed with producer Anthony de Lotbiniere to film a documentary (later described by David Niven as "absolutely wonderful"). Returning to the Berry Hill roots of his childhood, Potter used interviews with locals (including his parents) to show changes in the working-class traditions of the Forest of Dean, where "the green forest has a deep black heart beneath its sudden hills, pushing up slag heaps and gray little villages clustering around the coal."

Jack Black is a disturbed commercial actor who believes himself to be trapped in a television play, followed around by an invisible camera.

This neat, intense drama, labelled “a fable for television”, stars Tom Bell as the scruffy, childlike Michael Biddle, who is invited in from the cold of a suburban street by sexually frustrated, bored housewife Cynthia, played by Christine Hargreaves. He declares that he’s an angel, and Cynthia needs an angel, but in a way Michael fears...

Western journalists visit Moscow to interview Adrian Harris, a former controller in British intelligence who was also a double agent for the USSR. Harris believes in both Communism and Englishness, believing himself to have betrayed his class, but not his country. The press find these beliefs incompatible, and want to find out why he became a ‘traitor’. Harris is plagued by anxieties over both his actions and his upper-class childhood, and drinks to a state of collapse

Another of Dennis Potter's "visitation dramas": Adultery by John disturbs Janet, so she flirts with the simple, mistreated Billy during the middle of giving him a reading lesson. Unfortunately, it triggers aggressive behavior in Billy which he directs toward John.

Playwright Christopher Hudson finds his medical problem hinders his writing. He employs secretary Sandra George and dictates his new play to her, but tensions soon develop between the two. As Hudson creates, scenes from his play are dramatized and interpolated. The play being created is Dennis Potter's Angels Are So Few, seen with a totally different cast from the 1970 BBC production.

A biography of the eighteenth century Viennese physician, Franz Anton Mesmer, who used unorthodox healing practices based on his theory of "animal magnetism."

Dennis Potter used his own background as a Russian language clerk in the War Office when writing this play for ITV's SATURDAY NIGHT THEATRE series. At the time of the 1956 Suez Crisis and the Russian invasion of Hungary, Private Bob Hawk reports to the London Intelligence Office where the strength of Soviet troops is under scrutiny.

George, an ineffectual and inoffensive clerk, and his prim wife Gladys reserve their greatest efforts for preserving their respectibility. Sam, a rough-necked American seaman, invades their dull suburban routine. The play examines the clash of cultures between a fading British Empire and the dominance of American materialistic values.

Candidate Nigel Barton goes from idealism to cynicism as he becomes disillusioned and suspicious of hollow campaign promises.

Jack Black is a disturbed commercial actor who believes himself to be trapped in a television play, followed around by an invisible camera.

In this look at Charles Lutwidge Dodgson (1832-1898), aka Lewis Carroll, Dennis Potter mixed biographical drama with a psychological profile to explore the roots of Dodgson's creativity. Dodgson tells stories to ten-year-old Alice Liddell, leading to recreations of scenes adapted from ALICE'S ADVENTURES IN WONDERLAND (1865), designed to resemble the original Sir John Tenniel illustrations.

Dennis Potter's controversial reading of the life of Christ, with Jesus portrayed as a hearty, fiery, well-meaning carpenter who believes that people should try to love their enemies rather than fight all the time, but who is racked by self doubt as to whether or not he is the popularly anticipated Messiah.

Writing for ITV's SATURDAY NIGHT THEATRE series, Dennis Potter introduced the notion that popular music expresses the yearning of the human spirit for a better world. A troubled young man, David Peters (Ian Holm), claims, "Once dreams were possible, that's what the popular songs told us." Rejecting rock music of the day, Peters is immersed in the tunes of Thirties crooner Al Bowlly (killed during the London blitz). He collects Bowlly memorabilia, publishes the Bowlly fan-club newsletter, and finds pleasure in lip-synching Bowlly records but his obsession with Bowlly masks certain darker events in his past.

Semi-autobiographical TV play by Dennis Potter, from the BBC's 'Wednesday Play' series. It deals with the experiences of Nigel Barton, a young man from a poor mining community who wins a scholarship to Oxford University. The villagers accuse him of snobbery, while the rich University students treat him like a peasant. Uncertain of which sphere he should be moving in, Nigel tries to reconcile himself with his proud but stubborn father, and also succeed at University, despite its pretentions which apall him.

A version of Dennis Potter's play for television, remade shortly before his death as the original 1960s version had been wiped.

Martin Ellis (Alan Dobie) is a blocked screenwriter who invites Helen, an actress (Kika Markham), to a hotel in central London to discuss an idea for a play he is writing with her in mind. As they discuss the play, Martin discovers that a businessman and an escort named Carol are sat at a nearby table and appear to be speaking lines from the as yet unwritten piece. Martin becomes anxious at what will eventually become of the girl, already knowing that the play will not have a happy resolution

Drama set in a men's hospital ward, written by Dennis Potter. Characters include a cunning bronchitic Londoner, a strapped-up Pole and a dying man who just wants a cup of tea.

A mysterious stranger inserts himself into a troubled family's life, blurring the lines between good and evil as he cares for their disabled daughter.

The religious beliefs of pet shop owner Joe (Freddie Jones) are shaken by the terminal illness of his daughter Lucy (Angharad Rees). For Potter, this play "makes more than a wry nod at possibilities which can comprehend pain, or disgust, or the implacable presence of death itself."

Based on the 1907 autobiography "Father and Son" by Christian fundamentalist and naturalist Edmund Gosse, but Dennis Potter adapted only one section of the book, adding much material of his own invention. With a literal belief in the Old Testament, Philip Gosse is opposed to the new theories of Charles Darwin, espoused here by biologist Brackley. Assuming "the Lord's will" determines the fate of his ailing son Edmund, Philip Gosse creates a life-threatening situation, even suggesting the illness is God's punishment because of Edmund's desire for a toy ship.

Facing retirement, elderly journalist Clarence Hubbard reflects on the pointlessness of a life wasted writing banal tabloid human interest, animal, and crime stories. Rather than go quietly to tend roses in a garden, Hubbard begins a series of violent actions not unlike those described in tabloids, and this is heightened by inter cutting tabloid headlines between scenes. Throughout, there are occasional shots of a television critic who watches this very play as it unfolds, and he writes a negative review filled with cleverly phrased but bitter invective.