Nelson de Oliveira

An American aviator is crossing the Caatinga when her plane crashes due to a malfunction. She is rescued by a young countryman, and despite the differences between their worlds, an uncontrollable passion blossoms between them.

No synopsis available yet.

In a small town in the countryside, the population is excited about the imminent arrival of a circus that brings excitement to the peaceful life of the city.

Returning from a pleasant horseback ride, two lovers on their way home contemplate each other, entranced by the modesty inherent in the rigid customs they were raised in. The hero feels an irrepressible desire to come to Rio. In the capital, interested in a theater star, he heads to Buenos Aires to win her heart.

The surprising story of the scandalous Empress of Rome, Messalina.

An orphan is sent to a reformatory where the inmates receive an extremely repressive education. While visiting the place, a teacher hears the orphan's indignant complaints about the mistreatment. Impressed, he adopts this 16-year-old girl, who at 24 graduated in Social Sciences. Now she has a name: Vitória dos Santos, and her concern is to help the girls who, like her, suffer in the city's asylums.

"The Mystery of the Black Domino" was the first film directed in Brazil by a woman, the pioneer Cleo de Verberena. Marcos and Virgílio are medical students and share the same room. At the end of the first night of carnaval, Marcos finds the corpse of a woman, dressed as a black domino, inside the closet and accuses Virgílio of murder. Virgílio defends himself by saying that that was Cleo, wife of Commander Fernando Almeida, and that he found her in the corso asking for help, but Marcos questions Virgílio about the veracity of the story. Lost Film.

At the Paulistano Club pool, Lygia tells Nilo that she liked the album "Lua Branca," recorded by the young man. He promises to visit her to perform the song in person. The visit marks the beginning of a romance between the two, which later becomes an engagement. However, Nilo is involved in the 1924 uprising in the barracks and, with the outbreak of the revolution, leaves for the front. The city of São Paulo shows the damage caused by the bombings. The rebels, wanting to avoid further sacrifices to the city, after days of fighting and victory, decide to abandon it.