Christine Nagel

Stillness, observing and the absurd are the secrets behind Ilse Aichinger’s poetry, as brought to life in the film WHERE I LIVE. Figures from stories come to life in a house, whose stories sink in upon themselves. Also, never before shown Super-8 footage shot by Aichinger, inspires awe at our ability to find ourselves, as well as the ways in which we find ourselves. Taking a sensuous approach, the film engages with Ilse Aichinger’s work, which stands out in the 20th century for its singularity whilst remaining timeless in its existential dimension.

Cornelia Hesse-Honegger has been drawing and painting mutated insects since Chernobyl. Her large-format pictures make the invisible visible. For a long time, she was ridiculed for this. When photos of deformed butterflies from Fukushima went around the world, she felt vindicated. In the laboratory of Japanese biologist Joji Otaki on the island of Okinawa, it became obvious: radiation causes mutations.

Stillness, observing and the absurd are the secrets behind Ilse Aichinger’s poetry, as brought to life in the film WHERE I LIVE. Figures from stories come to life in a house, whose stories sink in upon themselves. Also, never before shown Super-8 footage shot by Aichinger, inspires awe at our ability to find ourselves, as well as the ways in which we find ourselves. Taking a sensuous approach, the film engages with Ilse Aichinger’s work, which stands out in the 20th century for its singularity whilst remaining timeless in its existential dimension.

Cornelia Hesse-Honegger has been drawing and painting mutated insects since Chernobyl. Her large-format pictures make the invisible visible. For a long time, she was ridiculed for this. When photos of deformed butterflies from Fukushima went around the world, she felt vindicated. In the laboratory of Japanese biologist Joji Otaki on the island of Okinawa, it became obvious: radiation causes mutations.

Cornelia Hesse-Honegger has been drawing and painting mutated insects since Chernobyl. Her large-format pictures make the invisible visible. For a long time, she was ridiculed for this. When photos of deformed butterflies from Fukushima went around the world, she felt vindicated. In the laboratory of Japanese biologist Joji Otaki on the island of Okinawa, it became obvious: radiation causes mutations.