Jessica Payne

After nearly getting hit by a car, Abigail Summers finds her reality is no longer as it seems

In the body of a sheep, with the same mental capabilities, what do we deserve? A character faces the horrors of short and reductive farm animal life.

Trapped in an endless loop, this film explores the horrors of menstrual depression, using stop motion to provide viewers with a similar sense of entrapment. Tangled red material voices the internal monstrous, a fear that becomes the mundane every day. In highlighting the anxieties of menstrual depression, the film finds a positive message, keep building the raft.

A journey through leather, warmth and light, and the disembodied fear of catching the last train home. Our film has taken shape through a mix of live action, stop motion, and visual programming that connects the rural and the digital to form a journey in transit, flicking between both spatial planes in this search for home.

Short moving image piece about difficulties finding comfort in queer identity

In the body of a sheep, with the same mental capabilities, what do we deserve? A character faces the horrors of short and reductive farm animal life.

Trapped in an endless loop, this film explores the horrors of menstrual depression, using stop motion to provide viewers with a similar sense of entrapment. Tangled red material voices the internal monstrous, a fear that becomes the mundane every day. In highlighting the anxieties of menstrual depression, the film finds a positive message, keep building the raft.

A journey through leather, warmth and light, and the disembodied fear of catching the last train home. Our film has taken shape through a mix of live action, stop motion, and visual programming that connects the rural and the digital to form a journey in transit, flicking between both spatial planes in this search for home.