Editing
Victoria Mercanton
Place of birth
Russia
Known for
Editing
Credits
3 titles
Victoria Mercanton, or Victoria Spiri-Mercanton (1911-2006), is a French film editor and director, born Victoria Pozner Saint Petersburg (Russia), active from the 1930s to 1970s. -Wikipedia Victoria is credited for being an editor on 46 movies and has been credited as directing three.
Known for
NRNo synopsis available yet.
L'Homme Que Nous Aimons Le Plus
1949
8.0Using contemporary engravings and cartoons by artists such as Honoré Daumier, this short documentary recounts the events of the French Revolution of 1848, from the fall of the July Monarchy to the unrest that followed, narrated by Bernard Blier.
1848
1950
Victoria Mercanton’s unusual French documentary from the early 1950s provides insight into the cult of Stalin worship by members of the French Communist Party. The film evokes different types of Stalin worship, from the individual to the collective one, and depicts a highly heterogeneous set of exhibits at a French exhibition in tribute to Stalin. Banned for commercial and non-commercial distribution in France, the film won the Best Short Film Screenplay award at the 1950 Karlovy Vary Film Festival.
The Man We Love the Most
1949
Behind the camera
NRNo synopsis available yet.
L'Homme Que Nous Aimons Le Plus
1949
8.0Using contemporary engravings and cartoons by artists such as Honoré Daumier, this short documentary recounts the events of the French Revolution of 1848, from the fall of the July Monarchy to the unrest that followed, narrated by Bernard Blier.
1848
1950
Victoria Mercanton’s unusual French documentary from the early 1950s provides insight into the cult of Stalin worship by members of the French Communist Party. The film evokes different types of Stalin worship, from the individual to the collective one, and depicts a highly heterogeneous set of exhibits at a French exhibition in tribute to Stalin. Banned for commercial and non-commercial distribution in France, the film won the Best Short Film Screenplay award at the 1950 Karlovy Vary Film Festival.
The Man We Love the Most
1949
