Kiro Urdin

A film following the beginning of the human race to its end.

The story in the movie takes place in the vicinity of the Mara River (Kenya and Tanzania). A baby wildebeest and a baby buffalo were born nearby. At the end of their lives they die beside each other.

A film dedicated to the homeless man Pishta. He has no home, no family, only the ground under his feet and the sky above his head. He is also called the "emigrant of the soul."

Planetarium is the first artwork in the history to be created around the world. It is composed of two panels of 24m2 each. Kiro Urdin devoted 20 months to his realization inspired by all cultures he met, ethnic groups and historical monuments he has discovered by traveling around the planet: Germany (Berlin's Wall). Macedonia (Nerezi, Ohrid), Belgium (Brussels, Knokke, Brugge), France (Paris, Mont Saint-Michel), Italy (Roma, Pompei, Pisa), Great Britain (London, Stonehenge), Greece (Athens, Cape Sounion), Israel (Tomb of Jesus, the Wailing Wall Jerusalem), Egypt (Suez Canal, the Nile, Kheops Pyramid), Kenya (The Masai-Mara tribe), USA (New York City), Peru (Machu Pichu, Cuzco), Thailand (Bangkok), China (Beijing, The Forbidden City of Peking, the Wall of China), Japan (Tokyo, Kamakura), Netherlands (Nuenen, Eindhoven).

A poetic journey through the Serengeti National Park and Tanzania in Africa. The endemic flora and fauna, as well as the beautiful natural beauties are a blessing for the human soul, for the traveler, but his presence seems to represent pollution of the environment. Even the path along which man moves, which is created by himself, seems to be an intruder in these wild landscapes. How far should human intervention in nature and the environment in which he lives go? What is the limit beyond which human presence represents a violation of cosmic harmony?

A short experimental documentary by Kiro Urdin.

A film following the beginning of the human race to its end.

A film following the beginning of the human race to its end.

The story in the movie takes place in the vicinity of the Mara River (Kenya and Tanzania). A baby wildebeest and a baby buffalo were born nearby. At the end of their lives they die beside each other.

A film dedicated to the homeless man Pishta. He has no home, no family, only the ground under his feet and the sky above his head. He is also called the "emigrant of the soul."

A film dedicated to the homeless man Pishta. He has no home, no family, only the ground under his feet and the sky above his head. He is also called the "emigrant of the soul."

Planetarium is the first artwork in the history to be created around the world. It is composed of two panels of 24m2 each. Kiro Urdin devoted 20 months to his realization inspired by all cultures he met, ethnic groups and historical monuments he has discovered by traveling around the planet: Germany (Berlin's Wall). Macedonia (Nerezi, Ohrid), Belgium (Brussels, Knokke, Brugge), France (Paris, Mont Saint-Michel), Italy (Roma, Pompei, Pisa), Great Britain (London, Stonehenge), Greece (Athens, Cape Sounion), Israel (Tomb of Jesus, the Wailing Wall Jerusalem), Egypt (Suez Canal, the Nile, Kheops Pyramid), Kenya (The Masai-Mara tribe), USA (New York City), Peru (Machu Pichu, Cuzco), Thailand (Bangkok), China (Beijing, The Forbidden City of Peking, the Wall of China), Japan (Tokyo, Kamakura), Netherlands (Nuenen, Eindhoven).

Planetarium is the first artwork in the history to be created around the world. It is composed of two panels of 24m2 each. Kiro Urdin devoted 20 months to his realization inspired by all cultures he met, ethnic groups and historical monuments he has discovered by traveling around the planet: Germany (Berlin's Wall). Macedonia (Nerezi, Ohrid), Belgium (Brussels, Knokke, Brugge), France (Paris, Mont Saint-Michel), Italy (Roma, Pompei, Pisa), Great Britain (London, Stonehenge), Greece (Athens, Cape Sounion), Israel (Tomb of Jesus, the Wailing Wall Jerusalem), Egypt (Suez Canal, the Nile, Kheops Pyramid), Kenya (The Masai-Mara tribe), USA (New York City), Peru (Machu Pichu, Cuzco), Thailand (Bangkok), China (Beijing, The Forbidden City of Peking, the Wall of China), Japan (Tokyo, Kamakura), Netherlands (Nuenen, Eindhoven).

A poetic journey through the Serengeti National Park and Tanzania in Africa. The endemic flora and fauna, as well as the beautiful natural beauties are a blessing for the human soul, for the traveler, but his presence seems to represent pollution of the environment. Even the path along which man moves, which is created by himself, seems to be an intruder in these wild landscapes. How far should human intervention in nature and the environment in which he lives go? What is the limit beyond which human presence represents a violation of cosmic harmony?

A poetic journey through the Serengeti National Park and Tanzania in Africa. The endemic flora and fauna, as well as the beautiful natural beauties are a blessing for the human soul, for the traveler, but his presence seems to represent pollution of the environment. Even the path along which man moves, which is created by himself, seems to be an intruder in these wild landscapes. How far should human intervention in nature and the environment in which he lives go? What is the limit beyond which human presence represents a violation of cosmic harmony?

A short experimental documentary by Kiro Urdin.

A short experimental documentary by Kiro Urdin.

This poetic documentary is dominated by close-up shots of babies, children and dogs. The director also emphasizes the shots of trains, specifically a camera set up in a train filming various landscapes, from time to time creating the feeling that the entire action is a flick (a sweeping panorama, i.e. a rapid movement of the camera that during projection makes it difficult to recognize what has been filmed; most often, one sees a succession of grayscale or color tones on the filmed surface).

This poetic documentary is dominated by close-up shots of babies, children and dogs. The director also emphasizes the shots of trains, specifically a camera set up in a train filming various landscapes, from time to time creating the feeling that the entire action is a flick (a sweeping panorama, i.e. a rapid movement of the camera that during projection makes it difficult to recognize what has been filmed; most often, one sees a succession of grayscale or color tones on the filmed surface).