
Directing
Luis César Amadori
Born 1903-05-27 · Pescara, Abruzzo, Italia
Luis César Amadori (1903–1977) was an Italian - Argentine film director and screenwriter and one of the most influential directors in the Cinema of Argentina of the classic era. He directed over 60 films between 1936 and 1967, writing the scripts to over 50 pictures. He was married to actress Zully Moreno.
Acting credits
Behind the camera
8.0Isaac Albéniz was a child prodigy, and the victim of a tyrannical father. He flees from his house, to America. He returns to his country years later, where he achieves international fame and the attention of many women.
Albéniz
1947
5.5No synopsis available yet.
Cristina Guzmán
1968
6.2A young woman working as a maid for a big time stage performer is mistaken for the star in Buenos Aires and becomes a great success in the land of the tango.
Mi último tango
1960
6.2A young woman working as a maid for a big time stage performer is mistaken for the star in Buenos Aires and becomes a great success in the land of the tango.
Mi último tango
1960
8.0With the help of a rich young woman, a singer who lives in the precarious housing area that existed in Puerto Nuevo comes to fame.
Puerto Nuevo
1936
8.0With the help of a rich young woman, a singer who lives in the precarious housing area that existed in Puerto Nuevo comes to fame.
Puerto Nuevo
1936
6.5Charo is a fashion model, in love with enigmatic Adolfo. The fashion house where she works is ruined. In a parade, an English lady confuses her with a countess and invites her to spend some days in Estoril. There, Charo will try to save the company from bankruptcy.
Una gran señora
1959
6.5Charo is a fashion model, in love with enigmatic Adolfo. The fashion house where she works is ruined. In a parade, an English lady confuses her with a countess and invites her to spend some days in Estoril. There, Charo will try to save the company from bankruptcy.
Una gran señora
1959
4.9Nun Belen works as a spiritual guide in a women's prison. Is a very understanding woman, possibly due to her past. At the past she was Magda, the star of the cabaret "The Mill of Twenty." She was attractive, young and admired by the public, she had it all, but three very different men end up marking her destination. A fate that is inexorably opposed to her happiness.
Pecado de amor
1961
4.9Nun Belen works as a spiritual guide in a women's prison. Is a very understanding woman, possibly due to her past. At the past she was Magda, the star of the cabaret "The Mill of Twenty." She was attractive, young and admired by the public, she had it all, but three very different men end up marking her destination. A fate that is inexorably opposed to her happiness.
Pecado de amor
1961
NROverview of the operation of the Children's City of the Eva Perón Foundation.
Soñemos
1951
8.0A school teacher tries to support his school against unjust measures by the government and a rich woman helps him.
Maestro Levita
1938
8.0A school teacher tries to support his school against unjust measures by the government and a rich woman helps him.
Maestro Levita
1938
6.7A film star enjoys a romance with the daughter of a puppeteer, but his criminal past threatens to ruin it.
Honeysuckle
1938
6.7A film star enjoys a romance with the daughter of a puppeteer, but his criminal past threatens to ruin it.
Honeysuckle
1938
5.9During a horse race, Ana, a happily married woman with a child, he met Captain Brown. Later, they meet again on a long train journey and inevitably love arises. Both try to forget each one on his own, however, things go more and more complicated, making it impossible to stop the situation.
Forbidden Love
1958
5.7A young woman, who sells music recordings in the flea market in Madrid, passes herself off as a friend's girlfriend so that he doesn't lose his inheritance.
Buenos días, condesita
1967
5.7A young woman, who sells music recordings in the flea market in Madrid, passes herself off as a friend's girlfriend so that he doesn't lose his inheritance.
Buenos días, condesita
1967
8.3Two girls without blood relationship but physically the same. One is shy and educated, the daughter of a good class marriage and the other is a very clever orphan but with terrible manners who lives in a kind of shelter.
Soñar no cuesta nada
1941
8.3Two girls without blood relationship but physically the same. One is shy and educated, the daughter of a good class marriage and the other is a very clever orphan but with terrible manners who lives in a kind of shelter.
Soñar no cuesta nada
1941
7.3Three-episode film linked to each other by means of a medallion, where love is the engine that drives people to act the way they did.
Love Never Dies
1955
7.3Three-episode film linked to each other by means of a medallion, where love is the engine that drives people to act the way they did.
Love Never Dies
1955
6.9On New Year's Eve 1899, Soledad is peddling violets in a Madrid busy street when she meets aristocrat Fernando. The couple falls in love but their different social backgrounds threatens the relationship. Fernando is under constant pressure from his older brother Alfonso who reminds him of his duties including his engagement to Magdalena, a countess. Disregarding all social conventions and scandalizing high society, Fernando sets up Soledad in a plush apartment and announces their marriage plans.
The Violet Seller
1958
8.5El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.
El grito sagrado
1954

