Michael Cohl

Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.

Most people know the lasting legacy of Harry Belafonte, the entertainer. This film unearths his significant contribution to and his leadership in the civil rights movement in America and to social justice globally.

Bridges to Babylon Tour '97–98 by The Rolling Stones is a video from a concert which was filmed in St. Louis, Missouri 12-December-1997 during the Bridges to Babylon Tour 1997-1998. It features a single, massive oval video screen behind the band on the main stage, a stripped-down set on a small stage in the middle of the arena floor, and guest appearances by Dave Matthews ("Wild Horses") and Josh Redman.

Step into the dystopian city of Obsidian, where a rebellious gang called The Lost can never grow old. At the heart of this rock opera is a fiery romance between their leader, Strat, and Raven, the sheltered daughter of the city’s tyrannical ruler, Falco—a love story as defiant as the music itself.

Interviews, archival footage and home movies are used to illustrate a social history of folk artist and activist Pete Seeger.

From civil rights to the anti-war movement to the struggles of workers, folksinger Phil Ochs wrote topical songs that engaged his audiences in the issues of the 1960s and 70s. In this biographical documentary, veteran director Kenneth Bowser shows how Phil's music and his fascinating life story and eventual decline into depression and suicide were intertwined with the history-making events that defined a generation. Even as his contemporaries moved into folk-rock and pop music, Phil followed his own vision, challenging himself and his listeners. Not one to pull punches, Ochs never achieved the commercial success he desperately desired. But his music remains relevant, reaching new audiences in a generation that finds his themes all too familiar.

Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.

Most people know the lasting legacy of Harry Belafonte, the entertainer. This film unearths his significant contribution to and his leadership in the civil rights movement in America and to social justice globally.

Bridges to Babylon Tour '97–98 by The Rolling Stones is a video from a concert which was filmed in St. Louis, Missouri 12-December-1997 during the Bridges to Babylon Tour 1997-1998. It features a single, massive oval video screen behind the band on the main stage, a stripped-down set on a small stage in the middle of the arena floor, and guest appearances by Dave Matthews ("Wild Horses") and Josh Redman.

Step into the dystopian city of Obsidian, where a rebellious gang called The Lost can never grow old. At the heart of this rock opera is a fiery romance between their leader, Strat, and Raven, the sheltered daughter of the city’s tyrannical ruler, Falco—a love story as defiant as the music itself.

Interviews, archival footage and home movies are used to illustrate a social history of folk artist and activist Pete Seeger.

From civil rights to the anti-war movement to the struggles of workers, folksinger Phil Ochs wrote topical songs that engaged his audiences in the issues of the 1960s and 70s. In this biographical documentary, veteran director Kenneth Bowser shows how Phil's music and his fascinating life story and eventual decline into depression and suicide were intertwined with the history-making events that defined a generation. Even as his contemporaries moved into folk-rock and pop music, Phil followed his own vision, challenging himself and his listeners. Not one to pull punches, Ochs never achieved the commercial success he desperately desired. But his music remains relevant, reaching new audiences in a generation that finds his themes all too familiar.

In September of 2004 at the Toronto Film Festival, the Weavers sang together for possibly the last time.