Lucía Selva

Chorrojumo’s body in ruins has been wandering silently through the streets of Granada for one hundred and eighty-three years. Under the scorching sun, he waits, with his hand raised, for some currency. The infinite limbo in which he lives is interrupted with the arrival of a young Moroccan who brings an ancient key in his hands. Together they begin a search through the Ruins, spaces that have disappeared or are in transition, of present-day Granada, in search of the house of the young man’s ancestors; the last expelled Moriscos, of whom he still retains memories.

A clinical gaze inspects a liminal place beyond space and time, where living and dead bodies coexist. As they resist collapse, the unidentified shapes remain suspended in darkness.

No synopsis available yet.

The satellite images of Google Maps convey this fascinating journey to the heart of the universe of Apichatpong Weerasethakul, while reflecting on his cinematographic exile to Colombia.

Chorrojumo’s body in ruins has been wandering silently through the streets of Granada for one hundred and eighty-three years. Under the scorching sun, he waits, with his hand raised, for some currency. The infinite limbo in which he lives is interrupted with the arrival of a young Moroccan who brings an ancient key in his hands. Together they begin a search through the Ruins, spaces that have disappeared or are in transition, of present-day Granada, in search of the house of the young man’s ancestors; the last expelled Moriscos, of whom he still retains memories.

Chorrojumo’s body in ruins has been wandering silently through the streets of Granada for one hundred and eighty-three years. Under the scorching sun, he waits, with his hand raised, for some currency. The infinite limbo in which he lives is interrupted with the arrival of a young Moroccan who brings an ancient key in his hands. Together they begin a search through the Ruins, spaces that have disappeared or are in transition, of present-day Granada, in search of the house of the young man’s ancestors; the last expelled Moriscos, of whom he still retains memories.

A clinical gaze inspects a liminal place beyond space and time, where living and dead bodies coexist. As they resist collapse, the unidentified shapes remain suspended in darkness.

No synopsis available yet.

The satellite images of Google Maps convey this fascinating journey to the heart of the universe of Apichatpong Weerasethakul, while reflecting on his cinematographic exile to Colombia.