Perry Henzell

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

When Susan, a film producer from NYC, goes to Jamaica to shoot a shampoo commercial, she finds herself, through a series of unforeseen circumstances, drifting further and further away from the world she knows and into the life of the island, a strange alternative reality that turns many of her previously held assumptions upside down.

Man Free takes a look into the lives of everyday people in the beautiful country of Jamaica. Told through the people themselves, the film takes a glimpse into the lives of young and old as they fight politics, crime, drugs and more. From the colorful and spirited taxi driver called Master Blaster to the young woman in her twenties running her own bakery, Man Free sheds a light on real life in Jamaica. It's not all reggae and good times. It's a land full of conflict and struggle and a yearning for a better life. But through all the hardships, you come to realize Jamaicans are truly people of grace.

Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.

Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.

Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.

When Susan, a film producer from NYC, goes to Jamaica to shoot a shampoo commercial, she finds herself, through a series of unforeseen circumstances, drifting further and further away from the world she knows and into the life of the island, a strange alternative reality that turns many of her previously held assumptions upside down.

When Susan, a film producer from NYC, goes to Jamaica to shoot a shampoo commercial, she finds herself, through a series of unforeseen circumstances, drifting further and further away from the world she knows and into the life of the island, a strange alternative reality that turns many of her previously held assumptions upside down.

When Susan, a film producer from NYC, goes to Jamaica to shoot a shampoo commercial, she finds herself, through a series of unforeseen circumstances, drifting further and further away from the world she knows and into the life of the island, a strange alternative reality that turns many of her previously held assumptions upside down.

Perry Henzell's feature NO PLACE LIKE HOME went unseen as the negative was thought lost for over 25 years. Found and restored, this 2019 release is a true cinema event. A beautiful film about a woman escaping her comfort zone, finding beauty, and rediscovering herself in an unfamiliar place can now be seen - with an incredible soundtrack handpicked by Henzell. It features songs performed by Bob Marley, Etta James, Carly Simon, Toots and The Maytals, Marcia Griffiths, Desmond Dekker and The Aces, The Sensations, The Three Degree, Ernest Ranglin, The Heptones, Nasio Fontaine, Lobo, Lord Messam and His Calypsonians, and a song recorded by P.J. Soles.