Sue Mingus

Conductor Gunther Schuller leads 30 renowned musicians in this spectacular world-premiere performance of Charles Mingus's epic composition, "Epitaph," filmed at Lincoln Center's Alice Tully Hall on June 3, 1989. Clocking in at more than two hours long, the landmark piece was unearthed only after the jazz legend's death in 1979. The orchestra includes such musical luminaries as Wynton Marsalis, Lew Soloff, Bobby Watson and Urbie Green.

Don McGlynn's uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself "I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician--but not famed enough to make a living in America." His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style--and who did not achieve real fame until late in his career.

Conductor Gunther Schuller leads 30 renowned musicians in this spectacular world-premiere performance of Charles Mingus's epic composition, "Epitaph," filmed at Lincoln Center's Alice Tully Hall on June 3, 1989. Clocking in at more than two hours long, the landmark piece was unearthed only after the jazz legend's death in 1979. The orchestra includes such musical luminaries as Wynton Marsalis, Lew Soloff, Bobby Watson and Urbie Green.

Don McGlynn's uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself "I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician--but not famed enough to make a living in America." His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style--and who did not achieve real fame until late in his career.