Rituparno Ghosh

A young woman is left to her own devices when her sickly husband dies. Based on the novel by Rabindranath Tagore.

In late 19th Century, Bengal Bhubaneswar Chowdhury (Jackie Shroff) is a wealthy and tyrannical Zamidar (Squire). He has two main obsessions: his desperate attempts for an heir, which even his new second wife Jashomati seems unable to deliver; and competing with his regional rivals to produce the most magnificent effigy of a goddess for the annual Durga Puja ceremony. This year he concocts a master plan - why not change the face of the goddess for the most powerful woman on Earth - Queen Victoria. Meantime his two wives Mahomaya and Jashomati try to look out for one another especially as Bhubeneshwar begins to sexually assault his younger wife each night. Traumatised and lonely, Jashomati is dangerously drawn towards the youthful sculptor who has been employed to create the great effigy of Durga, Goddess of destruction.

The film is the effective exploration of a situation wherein a bereaved mother comes to terms with her late son’s sexual identity.

Tells the story of two lovers, separated by destiny, who meet again one day. This encounter allows each to realize the truth about the lives they are living.

A tender coming-of-age drama that explores the evolving dynamics between a mother and daughter against the serene backdrop of Darjeeling. The film beautifully captures themes of adolescence, longing, and the complexities of familial relationships, offering a heartfelt glimpse into the delicate threads that bind us.

An insight into the life of late writer-director Rituparno Ghosh, the iconic cultural figure from West Bengal (India), who pushed and transgressed the boundaries of sexuality, feminism, and freedom of thought. The film is about an artist's relationship to his city Calcutta and is based on his personal memoirs, archival material, and conversations with cast, crew, and family.

A young woman is left to her own devices when her sickly husband dies. Based on the novel by Rabindranath Tagore.

A young woman is left to her own devices when her sickly husband dies. Based on the novel by Rabindranath Tagore.

In late 19th Century, Bengal Bhubaneswar Chowdhury (Jackie Shroff) is a wealthy and tyrannical Zamidar (Squire). He has two main obsessions: his desperate attempts for an heir, which even his new second wife Jashomati seems unable to deliver; and competing with his regional rivals to produce the most magnificent effigy of a goddess for the annual Durga Puja ceremony. This year he concocts a master plan - why not change the face of the goddess for the most powerful woman on Earth - Queen Victoria. Meantime his two wives Mahomaya and Jashomati try to look out for one another especially as Bhubeneshwar begins to sexually assault his younger wife each night. Traumatised and lonely, Jashomati is dangerously drawn towards the youthful sculptor who has been employed to create the great effigy of Durga, Goddess of destruction.

In late 19th Century, Bengal Bhubaneswar Chowdhury (Jackie Shroff) is a wealthy and tyrannical Zamidar (Squire). He has two main obsessions: his desperate attempts for an heir, which even his new second wife Jashomati seems unable to deliver; and competing with his regional rivals to produce the most magnificent effigy of a goddess for the annual Durga Puja ceremony. This year he concocts a master plan - why not change the face of the goddess for the most powerful woman on Earth - Queen Victoria. Meantime his two wives Mahomaya and Jashomati try to look out for one another especially as Bhubeneshwar begins to sexually assault his younger wife each night. Traumatised and lonely, Jashomati is dangerously drawn towards the youthful sculptor who has been employed to create the great effigy of Durga, Goddess of destruction.

The film is the effective exploration of a situation wherein a bereaved mother comes to terms with her late son’s sexual identity.

Tells the story of two lovers, separated by destiny, who meet again one day. This encounter allows each to realize the truth about the lives they are living.

Tells the story of two lovers, separated by destiny, who meet again one day. This encounter allows each to realize the truth about the lives they are living.

A tender coming-of-age drama that explores the evolving dynamics between a mother and daughter against the serene backdrop of Darjeeling. The film beautifully captures themes of adolescence, longing, and the complexities of familial relationships, offering a heartfelt glimpse into the delicate threads that bind us.

A tender coming-of-age drama that explores the evolving dynamics between a mother and daughter against the serene backdrop of Darjeeling. The film beautifully captures themes of adolescence, longing, and the complexities of familial relationships, offering a heartfelt glimpse into the delicate threads that bind us.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

The film starts with the veteran thespian Harish Mishra, he is gravely ill. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.

The sudden death of Indraneel, a poet, averts a possible divorce and takes Radhika on a fantastic inward journey of discovering her own roots through the language of poetry and lost love. A publisher asks Radhika to complete Indraneel's works. This compels her to study his work, and thus begins her journey into the past.

The sudden death of Indraneel, a poet, averts a possible divorce and takes Radhika on a fantastic inward journey of discovering her own roots through the language of poetry and lost love. A publisher asks Radhika to complete Indraneel's works. This compels her to study his work, and thus begins her journey into the past.

Rudra and Partho's desire to adopt a child leads Rudra to take the most crucial decision. Rudra decides to undergo sex reassignment surgery, so that they can be legally considered a couple and allowed to adopt a baby.

Rudra and Partho's desire to adopt a child leads Rudra to take the most crucial decision. Rudra decides to undergo sex reassignment surgery, so that they can be legally considered a couple and allowed to adopt a baby.

A quiet drama about a lonely, sad, middle-aged woman, Banalata, who has lived a solitary existence since her husband-to-be died the night before their wedding from a snake bite. Never having quite gotten over the tragedy, she rarely ventures out and is clearly very lonely. This changes when she agrees to allow a film production to shoot in a wing in her sprawling estate.

A quiet drama about a lonely, sad, middle-aged woman, Banalata, who has lived a solitary existence since her husband-to-be died the night before their wedding from a snake bite. Never having quite gotten over the tragedy, she rarely ventures out and is clearly very lonely. This changes when she agrees to allow a film production to shoot in a wing in her sprawling estate.

Months after an accident following his marriage, a husband finds that the veiled woman he brought home is not his wife.

Months after an accident following his marriage, a husband finds that the veiled woman he brought home is not his wife.

A filmmaker, averse to starting a family, intends to cast a disapproving couple's school-going son in a movie. What follows is a light-hearted journey that could potentially make him rethink his preferences about having a child.

A filmmaker, averse to starting a family, intends to cast a disapproving couple's school-going son in a movie. What follows is a light-hearted journey that could potentially make him rethink his preferences about having a child.

A filmmaker, averse to starting a family, intends to cast a disapproving couple's school-going son in a movie. What follows is a light-hearted journey that could potentially make him rethink his preferences about having a child.

A bilingual satirical comedy about the seven-year itch of a married couple, and how their life turns topsy-turvy with the entry of what seems to be an ordinary pair of antique sunglasses.

A bilingual satirical comedy about the seven-year itch of a married couple, and how their life turns topsy-turvy with the entry of what seems to be an ordinary pair of antique sunglasses.

An actress mysteriously dies after the "Shubho Mahurat," a celebration of the first shot of the film. A journalist and her perceptive aunt investigate.

An actress mysteriously dies after the "Shubho Mahurat," a celebration of the first shot of the film. A journalist and her perceptive aunt investigate.

Family tension runs high when four grown siblings reunite at their elderly mother’s home. When the mother reveals that she might sell off the estate, the announcement stirs up painful memories and uncovers a long-buried secret.

Family tension runs high when four grown siblings reunite at their elderly mother’s home. When the mother reveals that she might sell off the estate, the announcement stirs up painful memories and uncovers a long-buried secret.

Marital strife follows when an aging filmmaker meets an actress who bears an uncanny resemblance to his wife in her younger days.

Marital strife follows when an aging filmmaker meets an actress who bears an uncanny resemblance to his wife in her younger days.

An anthology of eleven short films from eleven directors featuring stories of life in Mumbai.

Sudhamoy is forced to depend on his daughter's earnings. His life takes a drastic turn when his wife falls ill and gets hospitalized.

Sudhamoy is forced to depend on his daughter's earnings. His life takes a drastic turn when his wife falls ill and gets hospitalized.

Satyanweshi is a 2013 Bengali mystery-thriller film directed by Rituparno Ghosh and produced by Shrikant Mohta and Mahendra Soni. This was Ghosh's last full length film as a director. Indian film director Sujoy Ghosh portrayed the character Bymomkesh Bakshi in this film.

Satyanweshi is a 2013 Bengali mystery-thriller film directed by Rituparno Ghosh and produced by Shrikant Mohta and Mahendra Soni. This was Ghosh's last full length film as a director. Indian film director Sujoy Ghosh portrayed the character Bymomkesh Bakshi in this film.

Gandharva Kumar's arrival disrupts the festival mood of Durga Puja at Ratanlal Babu's house. He captivates the grandchildren of Ratanlal — Babu, Habul, and Tinni — with his magic tricks. Gandharva Kumar then reveals a long-forgotten secret wherein he claims to be heir to the family property of Ratanlal Babu. This creates shock in the entire family and casts gloom, resulting in dramatic incidents.

Gandharva Kumar's arrival disrupts the festival mood of Durga Puja at Ratanlal Babu's house. He captivates the grandchildren of Ratanlal — Babu, Habul, and Tinni — with his magic tricks. Gandharva Kumar then reveals a long-forgotten secret wherein he claims to be heir to the family property of Ratanlal Babu. This creates shock in the entire family and casts gloom, resulting in dramatic incidents.

A female dancer becomes famous but loses her relationship with her daughter on the way.

A female dancer becomes famous but loses her relationship with her daughter on the way.

One night, the newlywed Romita is molested by five men until Jhinuk, a teacher, helps save her. But even after the incident ends, the two women are faced with several hurdles.