Miki Mikaili

A guy who had just returned from work was called by his friend who intended to commit suicide.

Joni, a Gen Z shaman, is overcome by an urgent need to urinate. Acting rashly, he relieves himself, unaware that his careless act has crossed an unthinkable boundary. Oops! He has urinated on his own relative.

A renowned organizational figure stands on the brink of extinction: HIMASIVISI. The world of cinema trembles alongside it. As its long-standing dormancy drags on, a cinephile sends out a desperate call for help, hoping the organization can rescue a film production spiraling into chaos. With the last remaining spark of cinematic energy fading away, the fate of the cinephile's production—and the very future of cinema itself—now rests in the hands of this legendary organization.

Every morning, a middle-aged mother prepares breakfast for her family, as part of their daily routine that had never been fulfilled before. Life seems to carry on as normal, but something feels strange beneath the surface of this routine. When the village authorities arrive with a message, the truth that has long been hidden slowly begins to unfold.

In a dysfunctional family intoxicated by online gambling money, only the youngest son, Tisna, refuses to celebrate his father's newfound wealth. As the family splurges on luxury while neglecting their most basic responsibilities, three creditors : a laundress, a vegetable vendor, and the landlord. Appear as living reminders of the necessities they have abandoned. Determined to pay off the debts, Tisna desperately tries to seize control of his father's bank account. What follows is an absurd yet violent battle over dirty money, exposing a family willing to sacrifice everything for fleeting comfort, until the conflict ends in a tragedy as ironic as it is inevitable.

Joni, a Gen Z shaman, is overcome by an urgent need to urinate. Acting rashly, he relieves himself, unaware that his careless act has crossed an unthinkable boundary. Oops! He has urinated on his own relative.

Bram, a restless man, questions the source of his unease. One day, a mysterious figure appears, offering answers to his lingering worries, only to lead him into unconsciousness. When Bram awakens, he begins to uncover the truth through fragments of photographic paper he uses on his own camera.

A renowned organizational figure stands on the brink of extinction: HIMASIVISI. The world of cinema trembles alongside it. As its long-standing dormancy drags on, a cinephile sends out a desperate call for help, hoping the organization can rescue a film production spiraling into chaos. With the last remaining spark of cinematic energy fading away, the fate of the cinephile's production—and the very future of cinema itself—now rests in the hands of this legendary organization.

A documentary about the life of a female inmate named Ria Megawati, often called IOT. Once known as the most problematic prisoner in Bandung Women’s Prison, she has since transformed into a better version of herself by immersing in artistic practices such as painting, batik-making, and songwriting. Art ultimately becomes her way out of a dark past, and a vessel for expressing emotions long kept inside.

Surya, a 20-year-old drug addict, felt anxious on the final day of his rehabilitation. The urge to use illegal drugs still loomed large within him, making him reflect on his former life as an addict and feel fearful and anxious about his uncertain future. Until hope arrived and took him boldly into a new life.