
Directing
Vito Guzzo
Born
2005-09-13 (21)
Place of birth
Montréal, Québec, Canada
Known for
Directing
Credits
7 titles
Known for
NRIn 1960s Mexico, Memo, an American Football player, and Conchita, a psychology student, defy cultural norms and family pressures to pursue a passionate romance, finding the courage to chase both love and their aspirations.
El Pumita
2025
NRIn summer 2025, the Van Drayens gathers at their secluded estate, The Château, for their annual family dinner. But as the patriarch reveals the contents of his will, simmering tensions erupt, threatening to tear the family apart.
Château
2025
NRUpon completing his Cold War fencing film, director Charles Crowe confines himself to a screening room for twenty-eight days, obsessively perfecting the final shot until an old friend's visit forces him to confront the buried guilt that has kept him in isolation.
The Killing Crowe
—
Film credits
Behind the camera
NRIn summer 2025, the Van Drayens gathers at their secluded estate, The Château, for their annual family dinner. But as the patriarch reveals the contents of his will, simmering tensions erupt, threatening to tear the family apart.
Château
2025
NRIn summer 2025, the Van Drayens gathers at their secluded estate, The Château, for their annual family dinner. But as the patriarch reveals the contents of his will, simmering tensions erupt, threatening to tear the family apart.
Château
2025
NRIn summer 2025, the Van Drayens gathers at their secluded estate, The Château, for their annual family dinner. But as the patriarch reveals the contents of his will, simmering tensions erupt, threatening to tear the family apart.
Château
2025
NRUpon completing his Cold War fencing film, director Charles Crowe confines himself to a screening room for twenty-eight days, obsessively perfecting the final shot until an old friend's visit forces him to confront the buried guilt that has kept him in isolation.
The Killing Crowe
—
NRUpon completing his Cold War fencing film, director Charles Crowe confines himself to a screening room for twenty-eight days, obsessively perfecting the final shot until an old friend's visit forces him to confront the buried guilt that has kept him in isolation.
The Killing Crowe
—
NRUpon completing his Cold War fencing film, director Charles Crowe confines himself to a screening room for twenty-eight days, obsessively perfecting the final shot until an old friend's visit forces him to confront the buried guilt that has kept him in isolation.
The Killing Crowe
—
