Theo Maassen

Israel, 1956: Jewish teacher Rachel Stein rather unexpectedly meets an old friend at the kibbutz. It brings back memories of her experiences in the Netherlands during the war, memories of betrayal. In September 1944, Rachel's hiding place is bombed by Allied troops; she makes contact with a resistance member and joins a group of Jews to be smuggled across the Biesbosch to the freed South Netherlands. Only Rachel escapes a massacre by patrol Germans, and is rescued by a resistance group under the leadership of Gerben Kuipers, whose son is captured trying to smuggle weapons. Kuipers asks Rachel to seduce SS-hauptsturmführer Ludwig Müntze, a mission that she will soon learn that the boat attack wasn't a coincidence.

When they are confronted with the disease of the pater familias, all the members of the Liefhebber family have to face their fears, faults and their troubled interrelationships.

Five friends from 'Maaskantje' are getting fired because of the economic crisis. They decide that they won't pay for anything anymore.

Dunya and Desie are two 18 year old best friends from Amsterdam North. Dunya is Moroccan and Desie is Dutch. On Dunya's Birthday she is told that her marriage has been arranged with a distant cousin in Morocco. Dunya and her family will travel to Morocco to meet him. After Desie discovers that she is pregnant she joins Dunya in Morocco in a search for Desies father.

A cat who turns into a young woman helps a journalist protect their town from a factory boss with an evil plan.

Registration of the second theatre program by the Dutch comedian Theo Maassen.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

When her mother abandons her dementing father, Alex unexpectedly finds herself at a crossroads. As she moves back in the parental house to look after her father, she starts questioning her own life. Does she want to stay with her adulterous husband? She tolerated his affairs for years, but is she really happy with him? Or should she, like her parents, drop the facade?

Because of a bad marriage of their parents, two brothers Jules and Max made a pact never to get into a relationship with a woman. Therefore, they live a party-life in which they sleep with a different girl every day. However this changes when Jules starts to date Anna and Max falls in love with her. Can their bromance overcome this love triangle.

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Registration of the first theatre program by the Dutch comedian Theo Maassen.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Registration of the fourth theatre program by the Dutch comedian Theo Maassen.

Theo Maassen is back. In all its anger, indignation, amazement about so much stupidity and lack of empathy in society, and advocates understanding and reconciliation.

If global economy came to a sudden stop what would be the effect on families worldwide? People in different countries or continents might not seem to be interrelated but there is more than meets the eye and we might be more connected than we sometimes like to think.

Theo Maassen is extraordiarily hard on Holland, but seems to see the fun of it. Met alle respect is his seventh solo programme. Just like in his other shows, Theo Massen combines his satirical view on our society with his daily life.

The witness walks through the corridors of a courthouse, a floating camera following her. In a pale flashback, she is sternly interrogated by two policemen. In her flashbacks during the examination, we see the events, which seem realistic, but repeatedly turn out to be as changeable and unreliable as the human memory. At a great pace, the three narrative threads take turns, while the witness grows more and more anxious.

Four women are sick of being poor. They decide to rob a bank. They are surprised how easily they get away with it and start to commit more robberies. When the net finally closes around them they decide to make one last big hit.

A man convicted of killing his own father and sister escapes from a long-stay criminal hospital to track down his estranged mother, whom he believes can prove his innocence.

A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other.

Registration of the tenth theatre program by the Dutch comedian Theo Maassen. Maassen investigates differences between men and women, white and black.

When Grandpa Cor has to take care of his grandson Coentje, he gets tempted to participate in a card tournament and loses track of Coentje. His daughter Carola is furious and forbids her father from having any further contact with his grandson

Dennis is a taxi driver trying to start out his own company. One day, he gets the opportunity to buy a scarce and expensive but lucrative license.

Registration of the second theatre program by the Dutch comedian Theo Maassen.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Registration of the first theatre program by the Dutch comedian Theo Maassen.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Registration of the fourth theatre program by the Dutch comedian Theo Maassen.

Theo Maassen is back. In all its anger, indignation, amazement about so much stupidity and lack of empathy in society, and advocates understanding and reconciliation.

Theo Maassen is extraordiarily hard on Holland, but seems to see the fun of it. Met alle respect is his seventh solo programme. Just like in his other shows, Theo Massen combines his satirical view on our society with his daily life.

Theo Maassen is extraordiarily hard on Holland, but seems to see the fun of it. Met alle respect is his seventh solo programme. Just like in his other shows, Theo Massen combines his satirical view on our society with his daily life.

Registration of the tenth theatre program by the Dutch comedian Theo Maassen. Maassen investigates differences between men and women, white and black.

Registration of the eleventh theatre program by the Dutch comedian Theo Maassen.

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A successful but dejected ventriloquist decides to break with his bold-as-brass, out-of-control dummy — only to find going his own way easier said than done.

A successful but dejected ventriloquist decides to break with his bold-as-brass, out-of-control dummy — only to find going his own way easier said than done.

Huub is an amateur human statue trying to win a contest in Oostende (Belgium).