Gus Van Sant

Jack Flex is broke, buff, and wildly delusional—but he’s got a dream: to sell his absurd invention, the Heavy Hat, on his mom’s favorite shopping channel. When a desperate producer gives him a shot, Jack’s web of lies—celebrity clients, Hollywood fame—starts to unravel. With just one week to turn fiction into fact, he sprints through L.A. in a chaotic quest for credibility, hope, and a shot at stardom.

Nicole Kidman has worked with a host of top directors in a varied career including Gus Van Sant, Jane Campion, Stanley Kubrick, Lars von Trier and Sofia Coppola. A portrait of a fascinatingly ambivalent actress who shines in Hollywood blockbusters as well as auteur cinema, determined to explore, role after role, the female condition.

Filmmaker Gus Van Sant steps into the shoes of a stage play director for the first time. A glimpse into his creation process and his adaptation to the theatrical language, as he puts together a musical show about Andy Warhol, in Lisbon.

The discovery of an illicit love affair leads two young Angelenos on a violent, sexually charged tour through the dark side of human nature.

On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.

A young actor arrives in Hollywood in 1969 during a transitional time in the Industry.

Features Kevin White, Aramis Hudson, Zach Saraceno, Nico Hiraga, and Olan Prenatt skating, having fun, and getting into all of the hijinks that we’ve come to expect from the Civ.

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

Equal parts personal essay, intense rumination, and playful satire, this movie laments the death of the American Video Store while it searches for the missing human element in today's digital landscape.

At the 60th anniversary of Cannes Film Festival, 34 famous directors are followed by camera.

The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.

A riveting and emotional journey into the world of writer William S. Burroughs, a man considered as cold as an iceberg on a winter night.

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

No synopsis available yet.

Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.

Documentary featurette for the 15th Anniversary Edition of Good Will Hunting, including interviews with Matt Damon, Ben Affleck, Robin Williams, Gus Van Sant, Chris Moore, and Kevin Smith.

New program about The Times of Harvey Milk and Gus Van Sant’s Milk, featuring Epstein, Van Sant, actor James Franco, and Milk friends Cleve Jones, Anne Kronenberg, and Nicoletta

Directors W. Alexander Jones and Carolann Stoney turn their cameras on Liv Osthus, one of the best-known artists working in Portland’s adult entertainment industry. She also happens to be a published author, musician, breast cancer survivor, mother, and daughter of a preacher. Better known as Viva Las Vegas, Osthus grew to wide notoriety when, along with a handful of other strippers, she faced down Portland city council for greater protections for sex workers. In a city with the highest number of strip clubs per capita in the country (and probably strippers), this unique woman not only revels in the glorious grit of the profession, but also manages to raise social perceptions with her creative successes, bravery, and artistry.

Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.

When Jay and Silent Bob learn that their comic-book alter egos, Bluntman and Chronic, have been sold to Hollywood as part of a big-screen movie that leaves them out of any royalties, the pair travel to Tinseltown to sabotage the production.

The life and struggles of a notorious rock musician seeping into a pit of loneliness whose everyday life involves friends and family seeking financial aid and favors, inspired by rock music legend Kurt Cobain and his final hours.

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

Rescued from the Closet is a 2001 documentary consisting of interviews originally recorded for the 1995 film The Celluloid Closet. It explores the history and impact of LGBT representation in cinema, providing insights into the portrayal and evolution of LGBT characters and themes within the film industry.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

Documentary on the history of gay and lesbian film.

Christopher Doyle is one of the best known and most acclaimed directors of photography in world cinema. Born in Australia, he sees himself as an Asian citizen rather than a Westerner. His artistic contribution to the films of Wong Kar-wai, Zhang Jimou and Fruit Chan films, among others, is indisputable. Filmed in DV and Super8, this documentary is a kind of wild and stylized road movie -- from Bangkok to Hong Kong, via New York. The camera follows this eccentric and outrageous artist as he gives us his thoughts on his past and present work. From the recent sets of Invisible Waves by Thailand's Pen ek Ratanaruang, and M. Night Shyamalan's Lady in the Water, to the locations in Hong Kong where he shot some of his most famous pictures, such as In The Mood for Love and Dumplings, Chris Doyle talks about his cinematic fascination for Asian culture.

An artistic and unconventional documentary about the making of Gus Van Sant's 'Elephant'. Brief interviews are put together with behind-the-scenes clips with the director, cast and crew showing the creative process behind some of the movie's elaborated scenes.

Behind-the-scenes documentary of Gus Van Sant's "Last Days."

Behind-the-scenes documentary of one morning on the set of "Gerry" directed by Gus Van Sant.

Behind the scenes documentary of Gus Van Sant's "Paranoid Park." Felix Andrew: director, cinematographer, editor. Dane La Chiusa: titles and original drawings. Joel Shelton, composer. Additional music: "Songs" by Ethan Rose, "Sangue de Bairro" by Chico Science e Nacao Zumbi. Made in 2006. Length: 27 minutes

15-minute interview with director Gus Van Sant on Elephant (2003)

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own.

An intimate look at Los Angeles-based funk rock foursome Red Hot Chili Peppers' creative process as they join producer Rick Rubin at a Hollywood Hills mansion to record their 1991 studio album 'Blood Sugar Sex Magik', which would go on to propel the band into critical acclaim and worldwide popularity.

A Paul Joyce documentary on the American independent film scene.

Portland, 1988. Filmmaker Gus Van Sant shoots Drugstore Cowboy, the project that will bring he and his collaborators a formidable burst of mainstream attention. Starring Matt Dillon, Kelly Lynch, and Heather Graham, the film follows a roving quartet of drug addicts — and, consequently, drug thieves, especially from the businesses of the title — who wash up in Portland's then-gritty Pearl District. A death among their own spooks the leader of the pack into trying to clean up, and an encounter with a sepulchral junkie priest does its part to convince him further. Or maybe we should call him a Junkie priest, portrayed as he is by a controversial cameo from writer William S. Burroughs. "I'm going back to the old days," Burroughs says of his role early in the above documentary on the making of Drugstore Cowboy. "The old days when they used to give people morphine in jail. The old days before the methadone programs."

Documentary on the making of Gus Van Sant's "Psycho." Featured at the Berlin Film Festival, 2000.

Nigel Nado, the notable documentary filmmaker, is trying to make a movie about some people trying to make a movie. But everything is going wrong. The subject of his documentary, the western 'Guns on the Clackamas' is plagued with problems. The lead actress has a severe stutter. And since she also happens to be the Executive Producer's mistress, there's not much that can be done to remedy the situation. Unsuccessful in turning the movie into a yodeling extravaganza, they decide to fire the actress. This results in having her irate beau pull the plug on the film's financing. The beginning of the end is marked by cast members dropping like flies due to any number of reasons. Bad macaroni salad. Bad chili. Bad caterer. A camera dolly runs over a crew member, severing some key limb or another. Then since no cast member has survived, and the film's producers can't hire replacements, the 'Guns on Clackamas' makers must resort to solutions at once startling and hilarious.

Strange Parallel is a documentary/short film revolving around the American singer/songwriter Elliott Smith. The film features interviews with Elliott himself as well as fans, friends and other acquaintances of his (including Gus Van Sant, Larry Crane, and the members of Quasi). The film also includes snippets of Elliott Smith performing as well as footage of him recording an unreleased song, "Brand New Game". The film sometimes moves out of reality, with acted-out, metaphorical sequences that involve Elliott considering purchasing a mechanical hand (a "robot hand" ) to improve his music.

The nominees for the 1998 Oscar for Best Director — Steven Spielberg, James Cameron, James L. Brooks, Gus Van Sant and Curtis Hanson — discuss their craft in this panel organized by the DGA and moderated by director Jeremy Kagan.

Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

Gus Van Sant, dissatisfied professionally, counts five ways to end his life. Preserved by the Academy Film Archive in 2016.

In Gus Van Sant's loving portrait of his cat, a reflected light leads the subject to explore a domestic composition in a manner that can only be described as wholly feline.

Gus receives some anonymous phone calls from a woman with whom he finally arrange some meetings. She never appears.