Helmuth Renar

No synopsis available yet.

A clearly confused girl is found wandering around Stuttgart and can't be understood, because she's speaking in a foreign language. The police take her to some doctors, who eventually believe they're dealing with a Tibetan. Doctor von Aldenhoff takes the stranger in and begins to educate her according to western European standards. In her new home, the girl, Luscha, gets to know Robert Lorm, a rather well-travelled man, and falls in love with him. Eventually, she decides quite unilaterally that they're going to build a new home and life together. A plaster of paris mask of the girl's face is made for the doctors to keep as a remembrance of Luscha. But as soon as the mold is removed from her face, she suddenly seems to become an entirely different woman.

Film by Seitz.

The mountain guide Jakob is a controversial figure. His supposed father dies and leaves behind a great heritage to the people. In the town they consider Jakob a bastard, because his parents were not married, which means that without a testament, the lands in which he lives do not belong to him. But the testament indicates that the inheritance corresponds him under a single condition, he must be the first person to climb the east face of Monte Verità. There is a French version of the film, titled 'Un de la montagne', shot the year after with the same script but with different actors and by a different director.

Story of the Kreuzer (cruiser) Emden and his men during WWI, garnished with a love Story, rivalry and heroism.

While in France, the daughter of Copenhagen's police chief meets a fascinating detective who is seeking a criminal professor.

This presentation of 'Waterloo', a film by Karl Grune about the last hurrah of Napoleon, is a fascinating companion to the Abel Gance epic 'Napoleon'. 'Waterloo' presents a tale of several people involved in the final battle. Napoleon and Wellington, of course, but also the Austrian general Blutcher (who is seen as a ladies' man - his scene with a flirty Countess about halfway through the film is priceless; as are his touching scenes with his plain wife (who he imagines to be a young and nubile girl when they get romantic) and some people within his regiment. Not simply a film of war, 'Waterloo' is a story of people, of lovers, of lost opportunities.