Magda Hamoová

In the second half of the 1980s, so-called critical films began to emerge, but they were afraid to make a sharper statement, moving on the basis of an engaged morality that wanted to improve the existing conditions cosmetically at best. The theme of the search for a new anchor in life becomes a central element: the protagonist, after returning from the war, does not want to devote himself to the constraints of elite sports, he rejects the dubious business of a friend. Most of all, he would be attracted to a perfectly ordinary job in a bakery. The dance clip inserts, however, make it difficult to navigate the already rather confusing narrative.

Films for children gradually fell into the grip of expressive and content sterility, succumbing to exhortative, educational tendencies. This is also the case in the story of a 14-year-old girl who has been accepted to the conservatory, but a sudden accident, a broken arm, makes her rethink her priorities - she learns that it is possible to engage in other activities than the tedious practice of piano etudes.