Gloria Norris

A cult guru urges a shy disciple to make life a movie and be its star.

Quirky Jamie Harris is a magnet for less-than-kind men as she hops beds. But things start to look up when she becomes the object of affection of two seemingly normal men. Unfortunately, there's the immense problem of her self-imposed 90-day moratorium on sex.

Fearing she may be responsible, a mental patient (Jennifer Jason Leigh) tries to unravel the mystery behind her ex-lover's (Martin Henderson) disappearance.

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.

A cult guru urges a shy disciple to make life a movie and be its star.

Quirky Jamie Harris is a magnet for less-than-kind men as she hops beds. But things start to look up when she becomes the object of affection of two seemingly normal men. Unfortunately, there's the immense problem of her self-imposed 90-day moratorium on sex.

Fearing she may be responsible, a mental patient (Jennifer Jason Leigh) tries to unravel the mystery behind her ex-lover's (Martin Henderson) disappearance.

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.