Sara Khani

This film is the story of a girl named Sima who always takes refuge in the cinema when faced with life crises. The film's narrative progresses in two simultaneous timelines: one is Sima's personal story, and the other is the story of the film she watches. At a certain point, the boundary between Sima and cinema is erased.

This film is based on a short story with the same name. A family of three confront with a moving dead body.

This film is the story of a girl named Sima who always takes refuge in the cinema when faced with life crises. The film's narrative progresses in two simultaneous timelines: one is Sima's personal story, and the other is the story of the film she watches. At a certain point, the boundary between Sima and cinema is erased.

This film is the story of a girl named Sima who always takes refuge in the cinema when faced with life crises. The film's narrative progresses in two simultaneous timelines: one is Sima's personal story, and the other is the story of the film she watches. At a certain point, the boundary between Sima and cinema is erased.

This film is the story of a girl named Sima who always takes refuge in the cinema when faced with life crises. The film's narrative progresses in two simultaneous timelines: one is Sima's personal story, and the other is the story of the film she watches. At a certain point, the boundary between Sima and cinema is erased.

This film is based on a short story with the same name. A family of three confront with a moving dead body.

This film is based on a short story with the same name. A family of three confront with a moving dead body.