Fritz Imhoff

René and his two artist friends lead a meager but careless life in a Parisian small apartment, their main worry being to avoid the housekeeper. Whenever they get some money they call more friends in and celebrate. This is how he meets beautiful but fragile Denise, who wants to be a singer as himself, and they fall in love. Yet when she finds out her real condition she takes a drastic decision which will determine their fates. La Bohème arias, and more.

"Millionaires" is an Austrian feature film from 1937, a comedy directed by Karlheinz Martin. The film premiered on July 31, 1937, in Vienna and is based on a story that illuminates life and love in the social milieu of the time.

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A comedy of confusion in aristocratic Vienna at the turn of the 19th into the 20th Century: The young Bohemian Countess Antschi Dorival trades places with her friend Martina, because she wants to become an actress and applies as such at the city theatre under a false name. And so, Martina attends the Vienna Opera Ball, posing as the countess. Because of their striking similarity to one another, Martina is confused with the impostor Sonja Lubomirska, who shortly before stole a necklace belonging to the wife of Archduke Johann Sylvester.

No synopsis available yet.

No synopsis available yet.

Familial disputes surrounding a traditional business. Grandfather Sonndorfer allies himself with his grandson Otto, in order to bring his arrogant son Max on the right path. Between the fronts is Emmerich Liebling, the intriguing messenger.

This Hungarian musical comedy (English title: Spring Parade) was produced by Joseph Pasternak, who later remade the picture in Hollywood as a Deanna Durbin vehicle. The original 1934 version stars Franciska Gaal as a Hungarian serving girl who heads to Vienna to visit a relative. Stopping over at an outdoor carnival, Gaal is told by a fortune teller that she will enjoy a happy marriage with a handsome and wealthy stranger. Later on, she finds herself at a fancy dress ball, where a good-looking aristocrat, assuming that our heroine is a countess masquerading as a peasant, falls in love with her. Delighted that the fortune-teller's prophecy seems to be coming true, Gaal finds herself in a dilemma when she falls in love with poverty-stricken soldier Wolf Albach Retty. But things turn out OK when Retty, the regimental drummer, composes a hit song which brings him fame and fortune, thereby neatly fulfilling that prophecy.

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In the made-up country of Alanien, King Alexander I has been overthrown while abroad. Now, he's in Vienna with his daughter, the city of his fondest memories since studying there as a boy. It doesn't take long for the charm of Vienna to work its magic on the former king: he quickly comes to terms with the new situation and is able to enjoy the Austrian capital sans all the ceremony and trappings which would otherwise accompany him on a state visit. The princess is content with preparing herself for a career as a pianist concert, while the former king takes a job as a chauffeur in the embassy of the country he once ruled. The revolutionaries are shocked; and his days in Vienna are numbered.

Vienna, around 1900. The master baker Streussler’s most ardent wish is to see his daughter Nelly as a student at the university. With the help of his famous “streusel cake” he succeeds in luring all kinds of helpers for this endeavor into his house. But Nelly has entirely different plans: she is in love with the chimney sweep Heinz, the son of a neighbor, with whom Papa Streussler has been fighting for years. So it’s no wonder then, that the grump confectioner is doing everything he can to break up the relationship.

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A smugglers gang is active on the Austrian-Swiss border. Until now, no one has come to their attention. But one day a little girl gets seriously ill and needs medical attention; the young operator will forget that he has to be careful and calls for help through the secret channel.

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Begun in 1944/45, finished and released in 1949, this is a biography of the composer Carl Michael Ziehrer, who overcomes hypersensitivity in competitive situations which leads initially to failures in both career and romance.

In hell, equipped with the latest technological advances, the devils watch the happiness of a Viennese revue singer and her sculptor fiancé on a television screen. Some representatives are sent to Earth to seduce the singer and thus undermine the couple's love, but this soon leads to rebellion among the devilish emissaries, who want to emigrate.

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Young Count Georg Wolkersheim is sent to the Congress of Vienna to represent the interests of his country, Reuss-Schleiz-Greiz. Tensions arise between the count, his wife Melanie, and their two chamberlains, and when the four attend a court ball, Melanie leaves Georg, assumes the identity of a famous actress, and attracts the affections of Crown Prince Ludwig of Bavaria.

An incredibly popular stage performer unknowingly falls madly in love with the lone critic that savaged her performance in the press.

No synopsis available yet.

Im weißen Rößl (English title: White Horse Inn or The White Horse Inn) is an operetta or musical comedy by Ralph Benatzky and Robert Stolz in collaboration with a number of other composers and writers, set in the picturesque Salzkammergut region of Upper Austria. It is about the head waiter of the White Horse Inn in St. Wolfgang who is desperately in love with the owner of the inn, a resolute young woman who at first only has eyes for one of her regular guests.

Prince Alexander loves the commoner Vera and defies his uncle the Tzar as well as his peers by arranging his wedding. But Vera leaves him because she does not want to be the cause of him spending the rest of his life as a social outcast.

A film for scatterbrains. Everyone's constantly forgetting something – the daughter the little dog, the father the files, the chauffeur forgetting to close the roof of his taxi when it's pouring rain and his passenger gets soaked. Everyone rushes through life and doesn't even have time for themselves. Then a "young" student (Hans Söhnker) returns to his hometown. He receives a lavish welcome and, at 34, is probably one of the oldest students in German film history. He has three fathers who support him financially and studies on their money. Interminably. Now he has to accept that his fathers have run out of money for his studies. So he rolls up his sleeves, forgets about the expensive degree, and switches to a trade. He does hair, he drives, he assembles film, he shaves, and he pins seams. There he meets a young lady, has time to serenade her, and then learns that his biological father is a millionaire, who now lends him a hand and distributes cash to the other cash-strapped fathers.

Johann Strauss firmly established himself as the leader of a dance orchestra in Vienna in the 1840s. His sons Johann junior and Josef have clearly inherited their father's talent. Nevertheless, father Johann is strictly opposed to both of them training as composers.