Mercedes Córdova

Chile, 1973. The military coup will force Jorge Silva, an Air Force captain, to face the unfolding horror. Inside a military base, he must choose between becoming part of the repression or helping those fighting to stay alive.

No synopsis available yet.

Clara and Alejandro move into a new house. A few days later, he goes on a work trip and she is left alone, surrounded by moving boxes. That chaos makes her accept a series of random invitations that will take her away from the hermetic world she lives in.

Rudi and Silvia, with their children Martín, Federico and Silvina, escape from the city to spend a few days in their country house. Rudi gets into arguments with the neighborhood landlord. Children wander around the area. Martín likes fire. Fede is scared. One day, the abandoned house in the background suffers an unexpected fire and a dead person appears: a homeless man suffocated by the smoke. The children did something. Something horrible. Now, we will have to see a way to return to the desired calm.

While she faces the tough idea of breaking up with her boyfriend, Emilia moves to a downtown apartment. Among boxes and packed stuff, almost by chance, she starts living the life of the former tenant.

Ana and Lucio invent a religion and found a small cult in a closed, wealthy community. They perform rituals, pray, and work in a garden where they grow a psychoactive plant for their ceremonies. Mara, searching for her brother Damián, joins the community. Initially idyllic, the cult reveals a dark side. Mara connects with Lucio after consuming the plant's pollen, hallucinates, and discovers Ana's sinister plan. When she tries to escape, she discovers the end of the world.

Chile, 1973. The military coup will force Jorge Silva, an Air Force captain, to face the unfolding horror. Inside a military base, he must choose between becoming part of the repression or helping those fighting to stay alive.

No synopsis available yet.

Clara and Alejandro move into a new house. A few days later, he goes on a work trip and she is left alone, surrounded by moving boxes. That chaos makes her accept a series of random invitations that will take her away from the hermetic world she lives in.

Rudi and Silvia, with their children Martín, Federico and Silvina, escape from the city to spend a few days in their country house. Rudi gets into arguments with the neighborhood landlord. Children wander around the area. Martín likes fire. Fede is scared. One day, the abandoned house in the background suffers an unexpected fire and a dead person appears: a homeless man suffocated by the smoke. The children did something. Something horrible. Now, we will have to see a way to return to the desired calm.

While she faces the tough idea of breaking up with her boyfriend, Emilia moves to a downtown apartment. Among boxes and packed stuff, almost by chance, she starts living the life of the former tenant.

Ana and Lucio invent a religion and found a small cult in a closed, wealthy community. They perform rituals, pray, and work in a garden where they grow a psychoactive plant for their ceremonies. Mara, searching for her brother Damián, joins the community. Initially idyllic, the cult reveals a dark side. Mara connects with Lucio after consuming the plant's pollen, hallucinates, and discovers Ana's sinister plan. When she tries to escape, she discovers the end of the world.

The diaspora of millions of Italian emigrants marked a strong nutritional influence of this nation on the American continent. The documentary collects the similarities and differences between the dishes adapted to the American taste and his native Italy.

The diaspora of millions of Italian emigrants marked a strong nutritional influence of this nation on the American continent. The documentary collects the similarities and differences between the dishes adapted to the American taste and his native Italy.

The diaspora of millions of Italian emigrants marked a strong nutritional influence of this nation on the American continent. The documentary collects the similarities and differences between the dishes adapted to the American taste and his native Italy.

Justina, a young graphologist, finds out that Patricio, her eternal summer love, is getting married in Patagonia, the place where she vacations since she was a child. He decides to travel and arrives in whale season. He is staying at his aunt Amalia's, owner of a restaurant specializing in seafood. Everyone speculates that he comes to interrupt the wedding. She sees her old love again, but the town and its fauna will lead her to an unexpected reunion. The sea and the whales assemble a new universe of identity.