Caroline Champetier

The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".

An autobiographical docudrama about an attempt to remake Alain Resnais' 1959 film "Hiroshima Mon Amour".

On her birthday, a young actress learns her father is a Hindu man her mother met in India. She decamps to Varanasi to find him.

A rookie policeman from provincial Le Havre volunteers for the high pressure Parisian homicide bureau and is assigned to a middle-aged woman detective.

Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.

A making-of documentary of Leos Carax's Holy Motors. Present during the shoot, Salomé catches exacting and inspiring moments of the production and adds interviews with its main participants (the actors Denis Lavant, Edith Scob, and Kylie Minogue, and the cinematographer, Caroline Champetier).

Director Gaspard Bazin is working on a new feature film. For now, he's still looking at the fundraising and casting stage of the process. He calls upon Jean Almereyda, a once-fashionable producer who is now going through a bad patch, finding it increasingly difficult to raise the capital he needs for his ventures. His wife Eurydice dreams of being a movie star. A perverse game between the two men ensues, with Almereyda wanting to please his wife, but reluctant to demand a role for Eurydice because of Bazin's reputation as an incorrigible seducer.

A poll for an advertising agency during a working day resulting in a series of meetings with women and men from different social strata, each one of them with a different problem.

Evidence by Caroline Champetier, a director who skilfully illuminates the great filmmakers (Jacques Rivette’s La bande des quatre , Philippe Garrel’s J’entends plus la guitare , Jean-Luc Godard’s Soigne ta droite, and Leos Carax’s Holy Motors ), directs and highlights in a sequence shot, in sumptuous black and white, a pregnant woman in the prosaic ritual of bathing. This "ingenious photographer", according to Agnès Varda, films the obviousness of the body, of gestures and lingers on the little things to take hold of a whole, as in the false triviality of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles by Chantal Akerman with whom she also collaborates in Toute une nuit.

Jean, a respected theater actor, leads a dissolute life. Separated from the mother of his child, he devotes most of his time to work, alcohol, and women. Sylvain in full adolescence, feels the need to get closer to his father. On a whim, both of them leave to join an old friend of Jean, Bob the American, who lives on an isolated ranch. From then on, they will try to apprehend each other, with clumsiness, hesitation and sometimes even violence.

No synopsis available yet.

An interview about 'Shoah' featuring Caroline Champetier, who did assistant camera work on the film, and Arnaud Desplechin.

A meeting between two friends: the cinematographer Caroline Champetier shoots a documentary about cinematographer Bruno Nuytten, making a film about his gesture and the relation between film art and craftwork.

At 25, Berthe dreams of making a living from her painting, never to marry, and to always stay with her sister Edma. Her parents do not see things from the same angle. Then Berthe meets Edouard Manet, who takes an interest in this young artist apprentice whose face inspires him.

Somewhere between a diary and a filmed letter made while Caroline Champetier was shooting Benoît Jacquot's film L'Intouchable in India.

Evidence by Caroline Champetier, a director who skilfully illuminates the great filmmakers (Jacques Rivette’s La bande des quatre , Philippe Garrel’s J’entends plus la guitare , Jean-Luc Godard’s Soigne ta droite, and Leos Carax’s Holy Motors ), directs and highlights in a sequence shot, in sumptuous black and white, a pregnant woman in the prosaic ritual of bathing. This "ingenious photographer", according to Agnès Varda, films the obviousness of the body, of gestures and lingers on the little things to take hold of a whole, as in the false triviality of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles by Chantal Akerman with whom she also collaborates in Toute une nuit.

Evidence by Caroline Champetier, a director who skilfully illuminates the great filmmakers (Jacques Rivette’s La bande des quatre , Philippe Garrel’s J’entends plus la guitare , Jean-Luc Godard’s Soigne ta droite, and Leos Carax’s Holy Motors ), directs and highlights in a sequence shot, in sumptuous black and white, a pregnant woman in the prosaic ritual of bathing. This "ingenious photographer", according to Agnès Varda, films the obviousness of the body, of gestures and lingers on the little things to take hold of a whole, as in the false triviality of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles by Chantal Akerman with whom she also collaborates in Toute une nuit.

She worked all summer in a small restaurant on a Normandy beach. It's the end of the season, season of work, season of love ; he dumped her, in any case it looks like it. She has good reasons for talking to herself, all the more so since there's hardly anyone else around.

She worked all summer in a small restaurant on a Normandy beach. It's the end of the season, season of work, season of love ; he dumped her, in any case it looks like it. She has good reasons for talking to herself, all the more so since there's hardly anyone else around.

Marie lives with her daughter in a large Parisian apartment. She rents a room to a student: Adrien.

Marie lives with her daughter in a large Parisian apartment. She rents a room to a student: Adrien.