Racornelia Ezell

Macdo captures a Mexico City family's Christmas Eve in 1997 through the lens of a home video camera, revealing the intricate balance between affection and control. As we witness a seemingly warm celebration, the film peels back layers of family dynamics, exposing how love and power intersect in complex ways that blur the boundaries between closeness and dominance.

Macdo captures a Mexico City family's Christmas Eve in 1997 through the lens of a home video camera, revealing the intricate balance between affection and control. As we witness a seemingly warm celebration, the film peels back layers of family dynamics, exposing how love and power intersect in complex ways that blur the boundaries between closeness and dominance.

Macdo captures a Mexico City family's Christmas Eve in 1997 through the lens of a home video camera, revealing the intricate balance between affection and control. As we witness a seemingly warm celebration, the film peels back layers of family dynamics, exposing how love and power intersect in complex ways that blur the boundaries between closeness and dominance.

Macdo captures a Mexico City family's Christmas Eve in 1997 through the lens of a home video camera, revealing the intricate balance between affection and control. As we witness a seemingly warm celebration, the film peels back layers of family dynamics, exposing how love and power intersect in complex ways that blur the boundaries between closeness and dominance.

Two women separate. Their memories resurface tirelessly. A portrait of separation seen through the prism of sapphic nostalgia.