Christopher L. Golon

Continuing where 'Visions of Violence' left off...the filmmaker continues his video diary. Chock full of outrageous antics: from having fun at work to parties with girls, this time the filmmaker might have gone too far.

This visceral cinematic snapshot is an inventive commentary on the pleasures and dangers of wielding a camera. Using different video and film formats, the director tries to record life as it is, unpredictable and at times dangerous.

Jake Taylor, frustrated with Hollywood and trying to make it, caves into his demons.

Continuing where 'Visions of Violence' left off...the filmmaker continues his video diary. Chock full of outrageous antics: from having fun at work to parties with girls, this time the filmmaker might have gone too far.

Continuing where 'Visions of Violence' left off...the filmmaker continues his video diary. Chock full of outrageous antics: from having fun at work to parties with girls, this time the filmmaker might have gone too far.

This visceral cinematic snapshot is an inventive commentary on the pleasures and dangers of wielding a camera. Using different video and film formats, the director tries to record life as it is, unpredictable and at times dangerous.

This visceral cinematic snapshot is an inventive commentary on the pleasures and dangers of wielding a camera. Using different video and film formats, the director tries to record life as it is, unpredictable and at times dangerous.

Bret, 19, yearns to leave his Connecticut hometown and head off to college. He figures summer will be fun with his buddies but as the days progress, the situations he finds himself in spiral out of control. He has run-ins with the police, problems with his girlfriend involving another girl, and a revenge attack he never should have involved himself in.