Arthur Schnitzler

Morir revolves around the couple Luis and Marta, whose lives are paralyzed by the outbreak of a disease that is accompanied by guilt, lies and fear, testing the stability and love between them.

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.

Vienna at the turn of the century. Christine loves the young student Fritz with all her heart. For him, however, the relationship is merely a carefree diversion from his complicated, dangerous affair with a married woman.

TV adaptation of Arthur Schnitzler’s eponymous book with Edith Clever as the only film actress.

No synopsis available yet.

After his wife's death, a man makes a dramatic discovery that turns his life upside down.

Morir revolves around the couple Luis and Marta, whose lives are paralyzed by the outbreak of a disease that is accompanied by guilt, lies and fear, testing the stability and love between them.

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.

Vienna at the turn of the century. Christine loves the young student Fritz with all her heart. For him, however, the relationship is merely a carefree diversion from his complicated, dangerous affair with a married woman.

TV adaptation of Arthur Schnitzler’s eponymous book with Edith Clever as the only film actress.

No synopsis available yet.

After his wife's death, a man makes a dramatic discovery that turns his life upside down.

No synopsis available yet.

Hofreiter, who has a relationship with Natter's wife Adele, confronts Natter after the latter launches a newspaper advertisement linking the suicide of an admirer of Hofreiter's wife to Hofreiter himself. In his tried and tested manner, Hofreiter challenges his vis-a-vis to a duel, but contrary to all etiquette, Natter refuses and exposes Hofreiter's system of vain notions of honor by confronting him with "genuine feeling". Natter: "I am hopelessly in love with my wife. That happens, dear Hofreiter. Nothing helps. That's just the way it is." His revenge is of a different nature, because he gets out of Hofreiter's narcissistic game and disavows his deceptive maneuvers and strategies of shifting blame.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Arthur Schnitzler's key piece describes the liaisons of his artist colleagues from the Cafe Central, Vienna. Behind the character "Treuenhof" is Peter Alterberg recognized, "Winkler" = Arthur Schnitzler, "Flatterer" = Frida Uhl, "Rapp" = Stefan Großmann, "Willi" = Hans Lang, "Van Zack" = Adolf Loos, and "Lisa" = Lina Loos.

A short film made by Sirk at the end of his life with one of his students. An adaptation of Schnitzler, with Hanna Schygulla: a night of New Year’s Eve, when the family meal is finished, Hanna is in a window while a young man entertains her and talks of the one he loves but can’t join at that time.

Silent amateur movie based on the "grotesque" play by Arthur Schnitzler.

Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences.

No synopsis available yet.

No synopsis available yet.