Claudia Albè

La Gola (The Belly), Diego Marcon’s film commissioned by the Kunstverein in Hamburg, revolves around the correspondence between Gianni and Rossana. The two characters are portrayed by hyperrealistic dolls with digitally animated eyes and facial expressions. The combination of human voices, analogue dolls, and digital (post-)production brings forth hybrid characters whose status between analogue and digital defies clear distinction.

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