Germán Sarsotti

After several unsuccessful performances, the theatrical project based on Anton Chekhov's "Three Sisters" seems doomed to oblivion. The desperate actors persuade the director to call on a constellator who can unlock the energy and summon the audience. During the constellation, the roles are reversed: the one who directs is directed, the one who acts is acted upon, and the one who assists is assisted... The participants' personal problems emerge, revealing new ways of understanding themselves and the play. Ultimately, we are all actors in our own lives.

Atahualpa Yupanqui established himself as a key figure of Latin American identity through travel. Archives, music and personal records of a transhumance aimed at deciphering the dialogue between people and their territory.

After several unsuccessful performances, the theatrical project based on Anton Chekhov's "Three Sisters" seems doomed to oblivion. The desperate actors persuade the director to call on a constellator who can unlock the energy and summon the audience. During the constellation, the roles are reversed: the one who directs is directed, the one who acts is acted upon, and the one who assists is assisted... The participants' personal problems emerge, revealing new ways of understanding themselves and the play. Ultimately, we are all actors in our own lives.

Atahualpa Yupanqui established himself as a key figure of Latin American identity through travel. Archives, music and personal records of a transhumance aimed at deciphering the dialogue between people and their territory.

Atahualpa Yupanqui established himself as a key figure of Latin American identity through travel. Archives, music and personal records of a transhumance aimed at deciphering the dialogue between people and their territory.