César Cortez

Venezuelan movie directed by César Cortez.

During the dictatorial regime of Juan Vicente Gómez, the bachelor Ibarra is imprisoned for political conspiracy. In prison, the inmates live together remembering the events that led to their imprisonment. Finally, a group, led by the bachelor Ibarra, manages to carry out a plan to escape from the prison.

Armando Arce (b. 1948) has led a restless and multifaceted life as a painter, sculptor, filmmaker, diplomat, and teacher. Deeply committed to the cultural development of his country, he has devoted much of his career to education and to the growth of Venezuelan cinema. His path into filmmaking began during the political ferment of the 1970s, when Super-8 cameras became accessible tools for popular expression in working-class neighborhoods. Today he faces two of his most ambitious projects: the creation of the Museum of Cinema and Audiovisual Art (MUCAAC) in Mérida and the National Center for Animation Cinema in Caracas.

Venezuelan movie directed by César Cortez.

During the dictatorial regime of Juan Vicente Gómez, the bachelor Ibarra is imprisoned for political conspiracy. In prison, the inmates live together remembering the events that led to their imprisonment. Finally, a group, led by the bachelor Ibarra, manages to carry out a plan to escape from the prison.

During the dictatorial regime of Juan Vicente Gómez, the bachelor Ibarra is imprisoned for political conspiracy. In prison, the inmates live together remembering the events that led to their imprisonment. Finally, a group, led by the bachelor Ibarra, manages to carry out a plan to escape from the prison.

Armando Arce (b. 1948) has led a restless and multifaceted life as a painter, sculptor, filmmaker, diplomat, and teacher. Deeply committed to the cultural development of his country, he has devoted much of his career to education and to the growth of Venezuelan cinema. His path into filmmaking began during the political ferment of the 1970s, when Super-8 cameras became accessible tools for popular expression in working-class neighborhoods. Today he faces two of his most ambitious projects: the creation of the Museum of Cinema and Audiovisual Art (MUCAAC) in Mérida and the National Center for Animation Cinema in Caracas.

Armando Arce (b. 1948) has led a restless and multifaceted life as a painter, sculptor, filmmaker, diplomat, and teacher. Deeply committed to the cultural development of his country, he has devoted much of his career to education and to the growth of Venezuelan cinema. His path into filmmaking began during the political ferment of the 1970s, when Super-8 cameras became accessible tools for popular expression in working-class neighborhoods. Today he faces two of his most ambitious projects: the creation of the Museum of Cinema and Audiovisual Art (MUCAAC) in Mérida and the National Center for Animation Cinema in Caracas.