Sveta Vladimirova

A teenager's attempt to hold on to his mother ends in tragedy—now their relationship feels more like a death sentence than love. This is a story about blindness that begins long before darkness, and about trying to find a way to "move on," even when it seems there's no "move on."

Ten-year-old Tyoma befriends a fallen meteorite that wanders the streets, wreaking havoc on the locals. Only Tyoma knows the true reason for this behavior—the meteorite is searching for its fragments. Trying to save his friend from destruction, he must convince his father to believe in miracles.

Valera is 57 years old, 24 of which he has been limited in his ability to move, and five of which he has not gone outside at all. Valera believes that he will be able to walk, although he does not consider himself fully functional, just like his opponents in the trial.

Having gone through the chaos of war, Alexey finds himself at home. In a world where it was as if he had never existed: his children had managed to grow up, his wife had managed to alter their father's clothes for them, and the once familiar corners of his home hut seemed too sharp. It would seem that one could get used to everything, but what if the frontline realities had distorted the proportions of peaceful life? And it was now practically impossible to fit into them. The film was based on the story of the same name by Andrei Platonov.

A teenager's attempt to hold on to his mother ends in tragedy—now their relationship feels more like a death sentence than love. This is a story about blindness that begins long before darkness, and about trying to find a way to "move on," even when it seems there's no "move on."

A teenager's attempt to hold on to his mother ends in tragedy—now their relationship feels more like a death sentence than love. This is a story about blindness that begins long before darkness, and about trying to find a way to "move on," even when it seems there's no "move on."

Ten-year-old Tyoma befriends a fallen meteorite that wanders the streets, wreaking havoc on the locals. Only Tyoma knows the true reason for this behavior—the meteorite is searching for its fragments. Trying to save his friend from destruction, he must convince his father to believe in miracles.

Ten-year-old Tyoma befriends a fallen meteorite that wanders the streets, wreaking havoc on the locals. Only Tyoma knows the true reason for this behavior—the meteorite is searching for its fragments. Trying to save his friend from destruction, he must convince his father to believe in miracles.

Valera is 57 years old, 24 of which he has been limited in his ability to move, and five of which he has not gone outside at all. Valera believes that he will be able to walk, although he does not consider himself fully functional, just like his opponents in the trial.

Valera is 57 years old, 24 of which he has been limited in his ability to move, and five of which he has not gone outside at all. Valera believes that he will be able to walk, although he does not consider himself fully functional, just like his opponents in the trial.

Having gone through the chaos of war, Alexey finds himself at home. In a world where it was as if he had never existed: his children had managed to grow up, his wife had managed to alter their father's clothes for them, and the once familiar corners of his home hut seemed too sharp. It would seem that one could get used to everything, but what if the frontline realities had distorted the proportions of peaceful life? And it was now practically impossible to fit into them. The film was based on the story of the same name by Andrei Platonov.

Having gone through the chaos of war, Alexey finds himself at home. In a world where it was as if he had never existed: his children had managed to grow up, his wife had managed to alter their father's clothes for them, and the once familiar corners of his home hut seemed too sharp. It would seem that one could get used to everything, but what if the frontline realities had distorted the proportions of peaceful life? And it was now practically impossible to fit into them. The film was based on the story of the same name by Andrei Platonov.

Having gone through the chaos of war, Alexey finds himself at home. In a world where it was as if he had never existed: his children had managed to grow up, his wife had managed to alter their father's clothes for them, and the once familiar corners of his home hut seemed too sharp. It would seem that one could get used to everything, but what if the frontline realities had distorted the proportions of peaceful life? And it was now practically impossible to fit into them. The film was based on the story of the same name by Andrei Platonov.