Caganap Janna

“10-0” delves into the fleeting nature of life and the importance of family, seen through the perspective of Esther, an embalmer who seems to have it all. When a dead woman she embalms comes alive, pleading to relay her last words to her daughter, Esther helps by recording her message. The realisation that she could do something profound in her life renders her busy in her work life, making her unavailable to her family. In the end, she grapples with the consequences of such a choice and embalms one of them.

Inspired by Jollin Tan’s poem ‘Shapeshifter’, eggs are used as metaphors in the film for self-representation, illustrating how humans break and conform to fit into society. However, whether fried, boiled, or scrambled, an egg is just an egg.

“10-0” delves into the fleeting nature of life and the importance of family, seen through the perspective of Esther, an embalmer who seems to have it all. When a dead woman she embalms comes alive, pleading to relay her last words to her daughter, Esther helps by recording her message. The realisation that she could do something profound in her life renders her busy in her work life, making her unavailable to her family. In the end, she grapples with the consequences of such a choice and embalms one of them.

Inspired by Jollin Tan’s poem ‘Shapeshifter’, eggs are used as metaphors in the film for self-representation, illustrating how humans break and conform to fit into society. However, whether fried, boiled, or scrambled, an egg is just an egg.