Tony Yew

Monad, situates webcam footage, projection mapping and texting both within the time space of the film and in the real time space outside, reformulating itself with each screening until Monad becomes fully saturated or until submarine internet cables stop working, whichever comes first.

400 trillion vibrations documents a network of modern mystics rehearsing the end of the world over and over again. the film follows the making of a force through image making and circulation, painting the great landscapes of a new earth. “this poem, like the paintings, is not really about nature. it is not what is seen. it is what is known forever in the mind.” agnes martin