Ian Falconer

Adapted, in our day, from the Isidore Ducasse’s (called Lautréamont) book, Les Chants de Maldoror (The Maldodor's Chants). The film is a cinematic language essay which "tells", in a non-linear narrative, the activity of a consciousness that confronts, relentlessly, with its brightest part as the most obscure.

A boy finds solace in a ball pit, at a soft play enclosure, until he is sucked down into an alternate dimension and greets his older self.