Flo Mavy

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera

Three images of a person running in the void through the movement of speed and abstract images

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

A homogeneous structure of wind and light across tree branches in the South region of Isère

Building as a magic lantern preserving small stories of human interactions throught clear permutations in the editing room, a work that want to understand the beauty of noises and the meaning of departure, going far away.

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera

Three images of a person running in the void through the movement of speed and abstract images

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

A homogeneous structure of wind and light across tree branches in the South region of Isère

Building as a magic lantern preserving small stories of human interactions throught clear permutations in the editing room, a work that want to understand the beauty of noises and the meaning of departure, going far away.

A study of ruins of a fortified castle placed in the village of Seyssuel during two days of shooting and understanding of the moving light

"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."

A new exploration of familiar places located in the region of Rhône and Isère throught an reinvention of digital nuances, a study of perceptions and fluidity around the nature of motion in landscapes and human interactions.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

A feature film that captures a travel into the village of Lyssarea for the Temenos, the inaugural screenings of Gregory J. Markopoulos's Eniaios (2004-2026). From Athens to the region of Arcadia, a film about friend's wanderings, the quietness of nature and an observation of the movement of light in Greece and the Peloponnese.

Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.

A study of observation, perceptions and sensations of nature and human interactions from the eye of a digital camera

A small exploration in the cemetery from the township of Sainte-Colombe throught a focus into the light, graveyards, flaggings and funerary plaques.

A sort of non-narrative itinerary between Lyon, Vienne and Valence-Ville that goes exploring the relationships between the interactions and the light it exposes, a reflection of identity and beauty that the shadows goes preserving the perceptions of new space.

Five fragments of observation and sensations during a journey with Gorneton's trail in Seyssuel, Isère. A work-in-progress with sounds, the interest of light and the solitude of a digital camera.

A study of observations around the ancient monument of the temple of Augustus and Livia and to cities of Vienne, Chonas-l'Amballan and Saint-Prim. Firstly proposed as a sort of ghost hunting, the project seems to focus on a world of figures, the whispers of the roads, diegetic/non-diegetic sounds and a camera that tries to investigate under fragments of logic and articulating cuts.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.

Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.

A strange orchestra of bodies, light, reflections and shadows throught shots of brief action and surprising appearances of humans and animals. A small film rejecting hierarchy while finding connectedness of love and affection in the small gestures of life.

An experimental short film about wind and sunlight sweeping across tree leaves.

A study of brief motion through cuts, lights, family conversations and grief in a quiet home at Félines, Ardèche. Filmed in a Keystone Americana camera from two 8mm B/W reels

"The Blue Hour remains as a work of meditation rather than the previous ones like An Act of Resilience who observe the process of wanderings and how time and space collapse under the remains of a new geography, a motion over stillness of life. A film trying to maintain the concrete to the spiritual, the light and the darkness, the resistance over indifference, this is rather a work of reflections and how much our lives aren't the same as we were before the mirrors gives us a strange world of movement and dynamics with objects and performers."